Catherine ten Bruggencate

Nico and Leo are getting married. Their entire family and both their exes are in attendance. Some of these are performing musical numbers on stage. But memories of the war and the fact that Leo's mother died in a concentration camp keeps coming to the forefront.

Konraad, 83, has written a letter to his relatives saying he wants to die. Maria, Konraad's daughter and only child, refuses to discuss her fathers wish. Instead, she wants to move him to a flat for elderly people. Her two grown daughters Sabine and Eva have problems of their own. Sabine has a troubled marriage and her eldest daughter Haas is too wise for her age. Eva is in therapy, recovering from an abortion. Ernst, Marias husband, is the only one who takes an interest. He decides to help Konraad realize his last wish. In doing so, he crosses his wife and increases the already existing distance between them.

Two very different friends who share an apartment in Amsterdam have reached a dead end in their lives. The arrival of a parcel looks like an opportunity for a change.

Rising, rather autobiographical novelist Giph has a hot girlfriend, doctor and model Samarinde. His crude, domineering and progressive mother Ria's suffering an incurable decease in which she suffers from paraplegia. Her inevitably ensuing death is brought forward with euthanasia. Giph is struggling to handle the situation with his mother. Shortly after his mother has passed he away, he decides to join his fun loving friends on La Palma for a holiday. There Samarinde tells her boyfriend she's expecting his baby

A Dutch couple is confronted with the husband's rapid onset of senility during a snowy winter in North Eastern Canada.

Frans van de Staak, Holland's most prominent avant-garde director, made this film "...about people who want to get something done. I leave out the why as well as the results. What's left is the moment of endeavour. There are two couples. The four characters are played by eight actors. There is little dialogue. Sometimes a couple does not seem to live together, just to be alive together in the same room. Each one of them at one time walks through an anymous part of Amsterdam. They put their feet down with a will, clicking their way through town. We do not know where or why they are going. To a meeting, to get some exercise, nowhere? They have difficulty in communicating. They leave notes to each other on the table rather than talk. The film sometimes mocks their intensity. It is surprising that such a strange film can keep the viewer's attention for an hour and a quarter. But it certainly does. (Dutch Fim 1988-89)

Six people are about to undertake a journey by foot from the very north of the Netherlands to the very south, in search of the mountains. Only two of them reach the destination.

Na 'Leedvermaak' uit 1989 en 'Qui vive' uit 2001 is de trilogie nu compleet met 'Happy end'. Frans Weisz regisseerde, Judith Herzberg schreef. Een familiegeschiedenis waarin 3 generaties van een joodse familie elk op hun eigen manier worstelen...

A group of five top medicine students is admitted to a prestigious program. They'll be working for a renowned professor who turns out to have a secret agenda. The students soon discover a extremely dangerous experiment called Project Orpheus

Former Amsterdam police detective Floris Wolfs has been transferred to the police department of the south-Dutch country town Maastricht. His metropolitan experience nicely complements the local expertise of his new country colleagues, who know the folks. Slowly he fits in, while solving countless crimes together with his female partner Eva van Dongen.

Follow the Dutch royal family in the 19th century.