Yuriy Ageykin

Invisible pour ceux qui l'entourent, un réalisateur contemporain se retrouve comme par magie dans le musée de l'Ermitage à Saint-Pétersbourg au début du XVIIIe siècle. Il y rencontre un cynique diplomate français du XIXe siècle. Les deux hommes deviennent complices au cours d'un extraordinaire voyage dans le temps, à travers le turbulent passé de la Russie, qui les conduit jusqu'à nos jours.

Russia, 1917, WWI. This is the story of the 1st Russian Women's Battalion of Death, formed as part of an ill-conceived propaganda ploy by the Russian Provisional Government in late May of 1917.

Young d'Artagnan comes to Paris to be a musketeer. There, he meets three old musketeers, members of the glorious King's Guard, but actually realizes that they are not the great fighters who he thinks they are. While joining the musketeers he is faced with the hidden plots of Cardinal Richelieu, his spy Milady de Winter, and a possible war against England.

In the center of the plot is a senior investigator named Masha Shvetsova and her male colleagues. The plot is the most vital, but, like in “Streets of Broken Lanterns,” it is seasoned with a fair amount of humor - otherwise, how can the audience (and the heroes) endure countless morgues, identifications and other “cute” charms of the investigative routine?