Rubens Pelizzari

A spectacular production of Aida filmed at Bregenz Festival's lakeside stage in 2009, with Carlo Rizzi conducting the Vienna Symphonic Orchestra and the Polish Radio Choir.

Jérusalem pleure la défaite qui met son sort entre les mains de Nabucco, le roi de Babylone. Ismaël les avertit que ce dernier s'approche du Temple. Il reste seul avec Ferena, la fille du roi babylonien, prise en otage par les Hébreux, et lui avoue son amour. Or la soeur de Ferena, Abigaille, aime aussi Ismaël. Dans cette nouvelle mise en scène, Arnaud Bernard replace l'intrigue dans le cadre esthétique du Risorgimento italien. Lors de sa création à la Scala de Milan en 1842, Nabucco triompha immédiatement. Dans une Italie alors en proie aux mouvements nationalistes, le public s'identifie immédiatement aux Hébreux retenus en captivité à Babylone. Le choeur des esclaves «Va, pensiero» devient ainsi l'un des airs les plus célèbres de l'histoire de l'art lyrique.

A murderer against his will: Having killed his wife in a fit of jealousy Il Bravo now has to do penance – as an assassin. Saverio Mercadante’s adventure opera was a great success at its premiere in 1839 and apparently made a lasting impression on the young Giuseppe Verdi. Already famed for rescuing works from oblivion, the Wexford Festival now brings Il bravo back into the limelight. Il Bravo, the assassin, prowls the streets of Venice at night. A long time ago, he killed his wife in a crime passionnel, whereupon the Council of Ten, the most important executive body of the Republic of Venice, made him their secret assassin. And just to make sure Il Bravo does their bidding, they hold his father hostage. Everything changes when the banished patrician Pisani makes advances on the fair Violetta, whom Il Bravo has been charged with protecting. And who is the mysterious courtesan Teodora?

Puccini was always adamant in his preference for all three of the one-act operas that comprise Il trittico to be performed together. That’s how they are in this 2007 Modena production. From the start he had recognized the essential synergy of the brilliant contrasts of melodrama, sentiment and comedy when the trio is presented as an entity across a single evening. Many producers, daunted by a very long evening, made even longer by extended intervals necessary for the changing of very different sets, have been tempted into splitting and pairing them with other short operas. In this Modena production Amarilli Nizza appears in all three operas; as the faithless wife Giorgetta in Il tabarro, as Suor Angelica and as Gianni Schicchi’s daughter Lauretta. Alberto Mastromarino is the jealous husband, Michele in Il tabarro and as Gianni Schicchi.