Erika Olaizola

Khalil est un jeune homme déraciné qui vit de petites combines, dans une zone frontalière où se côtoient bâtiments industriels et marécages. Il visite régulièrement Jose Ramon, un vieil homme au passé trouble qui habite une maison en bord de rivière. Cette maison, Jose Ramon la partage avec son frère Martin, à qui il n’a pas adressé la parole depuis des années. Dans le marais, des âmes plus ou moins perdues se côtoient, sans forcément se croiser.

How much does private life impact on art? Julen uses persons. The power and domination that a man exerts to make a film. Marian uses her friend June. Using friends to make a movie. Using people to make a movie. The money. Maybe a film has nothing to do with art or storytelling, maybe it's just another way of exercising power.

A yacht sets sail with three people on board. Two women and a man form a triangle as strange as it is mysterious. Swimming in the high seas, nighttime conversations and sexual tensions. A feverish sleeplessness and the need for freedom will mark the direction of their navigation.

A group of movie professionals go into a studio to, over a single day, read / test/ count / live the story of 'The Silly Ones and The Stupid Ones'. Sitting around a table and following the directions of the director, the actors show us the evolution of the creating process and how the characters through the trials, indications, lighting or props, that at first were just a story captured on a script becomes a film, in cinema, the great optical illusion, the visual lies that allows us to enjoy the stories we see on the screen.