Barnaby Rea

Based on a poem published in 1810 with more ethnographic than dramatic focus, Britten constructed a sombre parable about the conflict between the masses and the individual. The maritime atmosphere, the crudity of people’s lives and passions, and the complex, impenetrable personality of the protagonist come together in a tragedy which ferments and explodes in the din of silence and hearsay. New production of the Teatro Real, in co-production with the Royal Opera House Covent Garden of London, the Opéra national of Paris and the Teatro dell’Opera of Rome

John Wilson and the London Symphony Orchestra present the hit Broadway musical On the Town live from the Royal Albert Hall. With classic numbers such as New York, New York and l Can Cook Too and a star-studded line-up of singers including Nathaniel Hackmann and Louise Dearman, this concert performance launches a packed bank holiday weekend of Proms tributes to the late composer and conductor Leonard Bernstein, who would have been 100 years old on 25 August 2018. Katie Derham presents, with special guest Clarke Peters.

Midsummer's eve in Nuremberg and the real-life cobbler-poet Hans Sachs and the guild of mastersingers are pursuing their craft of poetry and music according to traditions and rules. A goldsmith's daughter, Eva, and a knight, Walther von Stolzing, fall in love, but Eva's father has promised her to the winner in the forthcoming song contest. Under the wise tuition of Sachs, can Walther learn the mastersinger's art in time to win Eva’s hand and see off a challenge from the foolish town clerk Beckmesser?

The Barber of Seville (in Italian Il barbiere di Siviglia) is an opera in four acts by Italian composer Gioachino Rossini. Despite a disastrous opening night – the music teacher tripped over and had a prolonged nosebleed and an unexpected cat wandered on stage – it has gone on to be ‘perhaps the greatest of all comic operas’. Indeed, Rossini himself stayed at home for the second night, until he was awoken by the sound of applause and cheering and his opera has delighted audiences ever since. Based on a play called Le Barbier de Séville by French playwright Pierre Beaumarchais, this is the first of three plays about a character called Figaro. His second play, Le Mariage de Figaro, was the inspiration for another opera – The Marriage of Figaro by Austrian composer Wolfgang Amadeus Mozart. Rossini’s The Barber of Seville, therefore, is considered a prequel to the story of Mozart’s opera, although it was composed 30 years later.