Matyáš Řezníček

"A documentary anatomy of mass murder for one monitor and 34 talking heads." These are the words the filmmakers use in the credits to describe their project, which thematises the execution of more than 260 Carpathian Germans, Hungarians and Slovaks by Czechoslovak army soldiers near Přerov in June 1945. The “massacre at Přerov” is made present through a minimalist dramatisation of the interrogation footage of direct participants, eyewitnesses, and others. It is as if the characters of ancient theatre were entering the Zoom “stage” and delivering a tragic message of fear, hatred and disinterest across the chasm of time.

Based on the true story of brothers Josef and Ctirad Mašín who, in 1953, tried to escape communist Czechoslovakia to join the US army in West Berlin.

Petr et Hana, qui après des années ensemble, décident de partager leurs fantasmes érotiques tacites. Ce qui commence comme une conversation innocente se transforme progressivement en expérimentation d'une approche non monogame de leur relation.

En toile de fond, le Printemps de Prague et l’invasion de la Tchécoslovaquie par le pacte de Varsovie en 1968. Tomáš et son jeune frère se retrouvent au milieu du défilé du 1er mai 1968 devant le bâtiment de la radio tchèque. Le département de la radio étrangère était connu pour ses reportages indépendants malgré la censure qui y règne.

Two siblings set sail as a crew on a yacht on the Aegean Sea. Circumstances soon change when a young documentary filmmaker comes aboard.

Evžen lives a bohemian life in Prague. An unexpected trip back to his homeland Switzerland confronts him with the smuggled crocodile Karlchen, his father’s sustained delusion and the grotesque charm of the bourgeoisie.