Tomasz Preniasz-Struś

The story of two very close lesbian friends: Małgosia and Mariola. One day, Małgosia learns that she is terminally ill. Together with her friend, she goes to a sanctuary famous for miracles. Along the way, they see the figures of the seven deadly sins and a number of characters from the New and Old Testaments. As the plot unfolds, the viewer learns that the whole journey is not real, but takes place only in the imagination, the inner space of the characters.

A Lisbonne, un homme s'effondre en regardant des fresques. Conduit par son épouse Anna dans un service psychiatrique, le syndrome de Stendhal est diagnostiqué, résultat d'une surcharge émotionnelle due à la vision de trop d'oeuvres d'art en trop peu de temps. Le patient, Paul Marcovic, est confié à une jeune interne, le Dr Giordano. Elle apprend, au cours des entretiens suivants, que Marcovic est en fait un ex-tortionnaire d'un pays de l'est, qui a torturé et violé pendant six années et qui depuis tait ce passé sulfureux. Elle le considère comme un criminel et repousse Wladimir, venu visiter Paul à l'hôpital et en parti responsable de son passage dans ce "service de sécurité". Paul reste seul face à sa conscience.

A la fin de la deuxième guerre mondiale, pour respecter les accords secrets de Yalta, les Alliés livrent 2 millions de citoyens soviétiques à Staline. Tous sont morts. Dans la nuit du 2 mai 1945, le général finlandais Smyslowosky et ses hommes, ennemis du bolchevisme, forcent la frontière du Liechtenstein et s'y réfugient.

Early 90's. The political and economic landscape of Poland, Russia and Germany is changing. Both good and bad sides of freedom are revealed. The mafia is becoming more and more bold, operating without obstacles across borders. One of the more lucrative "businesses" is the trade in luxury cars, stolen in Germany and transferred to Russia by Russia.

Four friends work out the interests of a dishonest businessman.

During the Nazi era, a Jewish woman on the run takes a trolley which passes near the Warsaw ghetto, where the uprising battle is taking place, and some passengers are struck by stray bullets. They take temporary refuge in an empty building, and there she has a chance meeting with her ex-fiancé. He offers to put her up--that is, hide her--for a few days. He's now married, a professional who lives in an idyllic suburb reached by a trolley that runs through the woods. His wife seems more committed to putting up the fugitive than he is. The story involves the neighbors, the building owner who avoids involvement and seeks solace in classic poetry, and the super and his suspicious wife.

"Młode wilki 1/2" to druga część historii o młodzieży, która wchodzi w życie w realiach drapieżnego kapitalizmu. Akcja toczy się w 1994 roku, kilka miesięcy przed akcją pierwszej części. "Młode wilki 1/2" nie jest filmem o przemocy i zbrodni. Jest to film o przyjaźni, lojalności i pierwszej miłości. Czasem nieporadnie, czasem ze wstydem, bohaterowie filmu odkrywają w sobie uczucia, które znali jedynie jako puste słowa Dopiero w sytuacjach ekstremalnych odkrywają ich nowy sens. Jest to także film o marzeniach i pragnieniach. Zarówno tych zwykłych, banalnych, jak szybkie samochody i ładne dziewczyny, jak i głębszych, jak chęć znalezienia swojego celu w życiu, potrzeba poznania własnej tożsamości.

Captain Witold Pilecki was a Polish intelligence officer during WWII who volunteered for a Polish resistance operation to get imprisoned in the German Nazi Concentration and Extermination Camp Auschwitz-Birkenau in order to gather intelligence and enable the Polish government-in-exile to inform the allies about the ongoing Holocaust in occupied Poland. The film also tells the story of Witold Pilecki’s fate at the hands of the Communist government after the end of WWII. The film is a reconstruction of the trial which took place in Warsaw during the communist regime in Poland. Captain Pilecki described his investigation as more cruel than his stay at Auschwitz.