Nana Asada

Kizaki kidnappe Yuriko et s'engage dans une séance de viol et de torture avec elle, qu'il photographie. Avec les photos, il fait chanter la prof d'Ikebana (arrangement floral), Yumeji, la sœur aînée de Yuriko. Plutôt que de lui permettre de faire honte à sa famille en envoyant les photos aux média, Yumeji rencontre Kizaki qui la viole et la torture; son véritable but depuis le début.

The fear of rape suddenly befalls women who live peacefully in Shinjuku, as the perspective of the film alternates between the point of view of a rapist who calls himself a "shark" and the women who are raped.

Two stories of perversion. 1) A Meiji era erotic artist forces his wife and maid to pose for his bondage themed paintings with dire consequences. 2) A WWII soldier develops a nasty sexual obsession overseas and which only grows stronger when he returns home.

Many are the romantic stories of beautiful stewardesses who have dreamed and became modern Cinderellas. Yumi, though, has no such dreams. She loves Shimada, a very ordinary young man and hopes to marry him one day. However, during the flight to Tokyo, the Petroleum Minister of a certain country sets eyes on Yumi, the loveliest girl ever hired by JAL, and is more than pleased with what he sees. When Yumi is approached, she declines instantly but everyone seems to gang up to bend her will to theirs and soon the newspapers report that Yumi has accepted the Petroleum Minister's proposal.

Three high school girls. One is experienced, one has fantasies and one is curious. What more will they learn before graduation?