Richard Wiegold

Anna hasn't left her apartment since the pandemic. She's delighted in there, especially because she goes on great adventures with her imaginary friend Walter. Eventually, Nina, her best friend, drags her out of the house. Here Anna meets Zack, a germophobe, who runs around in a homemade Covid Hazmat suit. The rest of the movie is a very silly comedy about how two people who don't like getting close to humans, get close to each other.

Rienzi, one of Wagner’s masterpieces, has been a major success at the Théâtre du Capitole in Toulouse in recent years. For this production, the lyric theatre called upon renowned producer Jorge Lavelli and tenor Torsten Kerl. The Orchestre National du Capitole is conducted by Pinchas Steinberg.

When a fairy king quarrels with his queen over a young changeling, he orders his servant, a mischievous sprite, to play a prank on her with hilarious consequences. Adapting Shakespeare’s classic comedy of confused identities, bewildered lovers and a startling metamorphosis, Britten’s A Midsummer Night’s Dream comprises the composer’s perhaps most atmospheric score. An entrancing orchestration of instrumental colours breathes life into a magic wood setting the scene for a mysterious dream world.