Evija Martinsone

The 14th of June 1941, Soviet-occupied Latvia: Without warning, the authorities break into the house of Melanie and her husband Aleksandr and force them to leave everything behind. Together with more than 15 000 Latvians, Melanie and her son get deported to Siberia. In her fight against cold, famine and cruelty, she only gains new strength through the letters she writes to Aleksandr, full of hope for a free Latvia and a better tomorrow.

A wedding goes awry when the venue catches fire and the bride is dragged into the underworld. Only a kokle player is brave enough – and musical enough – to venture there and save her. With its mummers, imps, three-headed demon king and singing mole cricket, I Played, I Danced is a story like none other. Composed in 1977, Imants Kalniņš’s elaborate musical language is blended with Latvian folk to create a unique and moving soundworld. Leading young Latvian director Laura Groza-Ķibere and visual artist Miķelis Fišers bring out the wild energy of this opera in their new production that forces us to ask: How much should we fight the demons of the past while striving for a better future?

Trying to make a professional impression, the teacher of the 9th grade Dārta organises a parents' school meeting, but the parents' childish behaviour turns the gathering into a disaster, becoming the biggest challenge of Dārta's career so far. The new teacher prepares for the meeting, while the parents arrive late - so does the businessman Jānis, the president of the parent's school council Žanete arrives with flowers and a gift; the spouses of an open marriage Valts and Laine playing "truth or dare", while the recently divorced Maija and Raivo exchange barbs. The planning of the children's graduation turns into an absurd escalation of conflicts between the parents.