Charlie Hannah

When Áila encounters a young Indigenous woman, barefoot and crying in the rain on the side of a busy street, she soon discovers that this young woman, Rosie, has just escaped a violent assault at the hands of her boyfriend. Áila decides to bring Rosie home with her and over the course of the evening, the two navigate the aftermath of this traumatic event.

Nine artists across the continent document their sensory experiences of lockdown, and the results broke our editing program. What emerges is an absurdist collage that playfully flips the format of a video conference on its head. Filmmakers Alicia Eisen and Sophie Jarvis pose the question: is the human need to make sense of chaos an inherently chaotic pursuit?

Already a successful portrait photographer, Hannah sets to reinvent this art form. Abandoning herself to a creative process that might easily be mistaken for madness, she's soon visited by mirror images of herself, as well as her daughter's ghost. Inspired by the life of photographer Hannah Maynard (1834-1918).

Kayah George, a young Tsleil-Waututh woman and her grandmother Ta7a, daughter of the late Chief Dan George, reflect on their relationship to water, culture, and land.