Alisa Kretova

2027. A medical corporation launches a TV show to promote its revolutionary invention - the human head transplant. A group of young thrill-seekers gather on an island to play a dangerous game. The rules are simple: win or perish.The prize is priceless - immortality.

How often do we live through two, three, or even more versions of ourselves during one lifetime? How often do we change, irreversibly, under the influence of other people, often close relatives? The timid Polya (24) works as an accountant and studies economics. She is in love with Kirill (25), who is her polar opposite. Kirill is a young cameraman: ambitious and talented. Kirill and Polya love each other and try to live together, but each of them has their own philosophy, their own value system and their own convictions. Even when they part, Kirill and Polya continue to carry on an inner dialogue with each other. Everyone tries to prove to the other that they can achieve everything on the other’s wish list. Twenty years later they meet, and now the heroes must find out the most important thing: whether one of them has found happiness in those years.

Ten girls are waiting for arrival of the train. We find out from the conductor that it is delayed indefinitely. We spy on the girls from the outside and they figure it out. While they are telling their stories, sharing their problems and concerns, we are all waiting for the train. Will the train arrive? Where are they going and what are they really waiting for?

An avant-garde adaptation of the play by Georg Buchner about the last days of the Dantonists, representatives of the right wing of the Jacobins during the French Revolution. The director freely experiment with form and content, draws parallels with the present day and raises the question point-blank: why does the revolution, like the ancient Greek titan Kronos, always devour its children?