José Luis Aguirre

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Père Noël
6.9

Père Noël

Nov 26, 1959
Pitch, le diable mesquine, tente de ruiner Noël. Les équipes du Père Noël avec jusqu'à Merlin le Magicien et les enfants du monde afin de sauver la journée.
Family
Las ficheras (Bellas de noche II)
5.6
Bellas de noche continues. The ex-fichera who bought the cabaret continues to work with several of her former companions, the waiter Fabian, the pugilist Bronco who returns to boxing, Carmen, his wife, who returns to booking, the drunk “La Corcholata”, in love with an old man, and a French woman and the pimp “El Vaselinas”, whose favors are disputed by all the women, but who loses his virility and fights to regain it.
Comedy
Navajeros
6.6

Navajeros

Oct 06, 1980
A chronicle of the life of Jaro, the leader of a juvenile delinquent gang, depicting his rise from street urchin to outlaw anti-hero on the way to his inevitable end.
Crime
Tívoli
7

Tívoli

Jun 26, 1975
While trying to save the famous Tivoli burlesque theater, the participants uncover a web of commercial corruption.
Comedy
Abajo el Telón
6.8

Abajo el Telón

Aug 31, 1955
Cantinflas, who owns a cleaning business, cleans the windows of the house of a famous French actress. While carrying out his work he observes how a man steals one of the famous actress necklaces, but he can only see his back.
Comedy
Pepe El Toro
6.3

Pepe El Toro

Aug 21, 1953
The simple life and the values ​​of loyalty and solidarity of the poor people in the environment of professional boxing, is the plot of this film, where Pepe el Toro shows the effort and tragedies that are experienced in this profession.
Drama
Cuentos eróticos
3.7

Cuentos eróticos

Mar 13, 1980
A set of nine stories whose central theme is eroticism. The different directors of the film deal from philosophical aspects to others that are almost pornographic, but always with a common denominator: sensuality.
Comedy
Pepi, Luci, Bom et autres filles du quartier
6.386
Parce qu'elle cultive de la marijuana sur son balcon, Pepi reçoit la visite de son voisin, un policier brutal, mais attiré par la jeune femme. Celui-ci accepte de fermer les yeux sur ses plantations un peu particulières si Pepi se donne à lui. La jeune femme refuse tout net ce marché. Le policier n'hésite pas à user de sa force pour la violer. Pour se venger, Pepi fait appel à ses amis punks. Mais ceux-ci se trompent de victime et tabassent le frère jumeau du policier. Pepi tente alors de livrer la femme du policier, la douce et exemplaire Luci, à son amie Bom, lesbienne et sadique. Le temps passe, et à la stupéfaction de Pepi, Luci se révèle consentante et masochiste...
Comedy
La cripta
5.3

La cripta

Sep 15, 1981
A patient is released from a mental hospital to help the police find a student who disappeared a few days ago.
Drama
La verdad sobre el caso Savolta
5.2
Barcelona between 1917 and 1923. Is the era of gangsterism, during which gunmen clash between anarchists and thugs paid by The Patronal showed a shocking number of deaths. The confrontation between anarchists and workers of the factory owners Savolta arms worsens when Savolta family decides to end the rebellion hiring murderers hired and plotting to hide their illegal transactions with Germany. Adapted from the novel by Eduardo Mendoza.
Drama
Hombres sin alma
5.7

Hombres sin alma

Dec 07, 1951
Final installment in Juan Orol's Percal trilogy. In this film, Malena is freed from prison by a gangster but a rival mobster will make things impossible for them.
Crime
Que idiotas son los hombres
5
After divorcing her cheating husband, a newly single still and beautiful woman, (played by Actress Rosa Carmina), travels to Acapulco. She soon becomes the center of attention and spoiled for choice when she finds herself wooed by no less than four handsome suitors, three of whom are very wealthy and prominent men. Initially torn between her head and her heart, but mindful of past mistakes, Carmina's character chooses love over money and picks a humble and hard-working waiter. Directed by Juan Orol, (Carmina's soon-to-be ex-husband in real-life), this drama features the long, drawn-out scenes and shadowy film noir techniques which he became well- known for.
Drama
La diosa de Tahití
5.7

La diosa de Tahití

Feb 11, 1953
A fugitive hides from justice among smugglers in the deep jungle of an exotic island, but things become complicated when he falls in love with a local cabaret dancer.
Drama
La mort de l'utopie
1

La mort de l'utopie

Dec 03, 1975
1974 saw the end of beans. The Halles were being destroyed. The extreme left was hesitating between the Molotof cocktail. The heirs of May '68 had not yet taken power, and desire was still in the streets. The characters seek an escape from their social alienation. We don't know whether they're living their desires or prisoners of hallucinations.
Drama