Juri Ferri

London, 1968. Director Alphonse attempts to complete his greatest cinematic work yet, entitled “The Death of Don Quixote.” But his aging star, Patrick, is seriously ill, so it is unclear what will die first: his vision, Patrick or Don Quixote.

Nights can be long inside Naomi and Ram’s room. Tonight, they have invited Marina over and their messy space is under scrutiny. Exploring intimacy as a personal playground and the skin as an intimate map, Naomi’s docile body unravels in the tension inside a room she keeps grasping and losing. The small child within her is itching to giggle through the night, before the break of day.

London, 1968. Director Alphonse attempts to complete his greatest cinematic work yet, entitled “The Death of Don Quixote.” But his aging star, Patrick, is seriously ill, so it is unclear what will die first: his vision, Patrick or Don Quixote.