Aušrinė Stundytė

Dans l’Allemagne du XVIe  siècle, Renata, une mystérieuse jeune fille, voit le diable lui apparaître sous les traits d’un ange de lumière qui la séduit, et l’entraîne à la pratique de la sorcellerie et des sortilèges. Un spectacle filmé le 5 avril 2022 au Teatro Real de Madrid.

Penderecki's Opera of an entire convent, in the small French village of Loudun, apparently possessed by the devil.

Lady Macbeth of Mtsensk is a powerful work of raw emotional intensity. With themes of adultery and murder, the story follows the downfall of a bored provincial merchant’s wife who seeks solace and excitement in an extra-marital affair. With a bold and contemporary setting, the staging provides the perfect backdrop to this 20th-century opera’s unflinching approach to sex and violence.

Of Shostakovich’s initial undertaking – a trilogy on the tragic destinies of Russian women through the ages – only one opera was ever written: the hard-hitting Lady Macbeth of Mtsensk. Although one of the mainsprings of the work, the Shakespearean parallel is here bitterly ironic: unlike Lady Macbeth, Katerina Ismaïlova who, in the remote reaches of rural 19th century Russia, falls in love with one of her husband’s employees and is finally forced to commit suicide, is less a manipulator than a victim of a violent and patriarchal society. Krzysztof Warlikowski liberates all the subversive power of this scorching and scandalous work, which marked the early years of the Opéra Bastille.

Celebrate the triumphant return of the famed Salzburg Festival with this extraordinary production of Richard Strauss’s Elektra, live from the spectacular Felsenreitschule! Lithuanian soprano Aušrinė Stundytė makes her grand debut on the mythical festival stage in the title role, accompanied by the marvelous Ariane Baumgartner and Asmik Grigorian in the roles of Klytaemnestra and Chrysothemis, respectively.

Young Renata hears voices. Since her childhood, she has been visited by a fiery angel with sublime radiance. Mad about him, gone in search of him since he abandoned her, she meets on her way the knight Ruprecht who, out of love for her, will try to tear her away from this carnal possession. From tavern to convent, between scenes of spiritualism or exorcism, collective hysteria or burlesque humor, nothing is lacking at L'Ange de feu.

One moment the singer Floria Tosca is standing on the stage, next moment she is the key figure in a deadly political intrigue sparked by jealousy and the craving for power. Giacomo Puccini’s thriller continues to captivate audiences to this day. Helsinki presents an audacious new production of this classic directed by Christof Loy. Award-winning German director Christof Loy promises a new and original vision of Puccini’s masterpiece. Lithuanian soprano Aušrinė Stundytė has the title role for the 2018/19 season, Italian tenor Andrea Carè plays the artist Cavaradossi and Finnish baritone Tuomas Pursio the power-hungry Scarpia. The conductor is Patrick Fournillier.