Carlo Kluge

In 18th century Europe, King Friedrich II of Prussia leads his army through the seven-years-war with neighboring states, and after numerous near defeats, eventually brings a victorious army back to Berlin.

East Germany's contribution to the 1957 Cannes Film Festival was the wartime melodrama Betrogen bis zum Juengsten Tag. Had the film been released in the U.S., the title would probably have translated to Duped Till the Last. The film condemns the Nazi mindset by concentrating on a particularly odious cover-up. When his son is involved in the accidental killing of a girl, a Gestapo general pulls strings to save the boy from prosecution. The general manages to pin the blame for the killing on a group of Russians, whereupon he gives the men under his command carte blanche to round up and execute as many innocent Russians as they wish. This act of brutality is contrasted with the pangs of guilt suffered by the son and his co-conspirators.

A young married couple - both of them actors - work in the divided city of Berlin. Agnes, the young woman, is on location in East Berlin, and Jochen, her husband, works at the Westend Theater in West Berlin. This young marriage is in danger of breaking up as they vehemently defend their diametrically opposed views. The way they see politics, art and the world differs extremely.

Behnke, un mécanicien, veut rejoindre le parti nazi pour assurer une bonne vie. Toutefois, après ses voisins juifs ont été enlevés, il change son point de vue. Essayer de rester « un homme non-politique », il se retire de la réalité et devient un ouvrier nazi.