Agyl Syahriar

When his household is no longer harmonious, Akbar's old love, Auzy, returns to his life as his son's music teacher. His wife is jealous because Akbar wants to repeat his love story with Auzy.

Dadang's family, which has three sons, accepted Bugi to stay at his house. Bugi, Dadang's younger brother, whose parents both died. Bugi's appearance and boyishness have become the subject of ridicule for many people, both at school and in social circles. Even at home, Narsih, Dadang's wife, teases and cynics Bugi. A math and sports teacher, Zein, has another attitude toward Bugi. Zein tries to change Bugi's behavior. But other teachers, Bugi friends, and Bugi themselves misinterpreted. As a result, Zein was uncomfortable and uncomfortable, then tried to stay away from Bugi. As a result, Bugi lost his footing, a place to complain and take cover. Meanwhile, Iwan, one of Dadang's children who has low self-esteem as a result of being a child because of his mother's mistakes, feels attracted to Bugi.

Nadia does not want her widowed father Bramasto to marry Astria as she's sure that her new stepmother is not a good woman. Her suspicions are correct. After the marriage, Astria has an affair with Lukito, Bramasto’s black-magic-practicing brother. Astria then becomes involved in Satanic rituals and serves as Lukito’s servant. Her duty is to seduce men and then sacrifice them to Satan for Lukito’s benefit. Can Nadia stop them?

Lupus is a student journalist of the Merah-Putih High School. He is cool and playful and disturbs everyone including his friends, his mother, his sister, his principal and even those whom he has just met. Occasionally, there are good intentions hidden in his jokes. These traits are representative of the attitude of youths in the 80's. In this film, his relationship with Poppy, is the only narrative thread in a plot that otherwise goes nowhere.

Compared to the film "Lupus" Catch me, I'll tell you" Lupus' entourage is more depicted. But just like the previous film, this film is still a combination of humor that stems from the mischief of Lupus et al. Lupus and his girlfriend's parents have "cute creatures on the bus" who it is not clear who the director is, participates in film production but fails, etc.

After graduating from high school, Lupus was not accepted at a public university and forbade his mother to sell inherited jewelery so that Lupus could enter a private school and cover his debts. Lupus asks for a down payment from the magazine where he often writes with the promise of writing about teenage girls who like to come home early. He then interviewed and approached Pia {Paramitha Rusady} who went to the disco every night because the house was crowded. His widowed father only scolded him but was rarely at home. Disco is a place of entertainment. She's not like other disco girls, who are also sex-free etc. Writing about Pia had invited misunderstandings, so Lupus preached. And it is said that his father then wanted to change his attitude. Pia's story is intertwined with: catching frogs, applying for jobs that turn out to be unsuccessful.

Lupus (Ryan Hidayat) falls in love with Kunti (Conny Nurlita), the daughter of Mr. Galiman (Tile). Mr. Galiman himself is a widower who is looking for a replacement wife because he considers Kunti to be grown up. To make Mr. Galiman's intentions a success, Uncle Agus (Anwar Fuady) helps find a new mother for Kunti. He approaches Lupus' mother (Tatiek Wardiono) who is a widow, making Lupus' sister, Lulu (Firdha Razak) hate the man. When Lupus calls Kunti's house, it is discovered that Mr. Galiman is looking for a wife with the help of Uncle Agus. It turns out that what Uncle Agus offers to Mr. Galiman is not Lupus' mother, but Lulu. So, Lupus and Kunti try to make everyone aware so that Mr. Galiman's proposal to Lulu does not happen.

Berlian and her teenage daughter Daya are on the run from political violence. Constantly daydreaming that her absent father will return, young Daya chafes under the stern hand of her mother. Forced to move inland from their seaside home to a desert of constantly shifting sands, the pair settle down to their familiar antagonism. Finally, Daya sees a vaguely familiar face shuffle in from across the wasteland.