Svein Tindberg

Gomp: Tales of surveillance in Norway 1948-1989 is a film from a staged hearing focusing on the surveillance of dissidents during the Cold War. Through its unique set of characters, the film depicts a complex image of Post War Norway as well as various aspects and consequences of being surveilled. Produced as a live event, it is simultaneously a documentary, a work of fiction and a piece of political theater.

Werner is a private investigator. One day, the rich and attractive Stella Hvidsteen visits him in his weary office. She says that her sister Evy has disappeared, asks him to find her, and adds that her sister has red hair.

To very different crimes, a post office robbery and a murder, happens at the same time. Two detectives at the Bergen police station get each their case. But could there be a connection?

Elias, a young rescue boat, signs on to a mission to find the Royal Ship. During the mission Elias has to prove his bravery.

The daughter of a prominent medieval Norway landowner, Kristin grows up in total harmony with the ideals of the time: strong family ties, social pride and devout Christianity. As she accepts the fact that she has been arranged to marry the son of another landowner, Kristin's beauty, innocence and purity evokes violent emotions around her: envy, lust, murder, revenge. She seeks refuge in a convent, awaiting marriage. Here, the passion of her life strikes, the knight Erlend Nikulaussonn. However, their love cannot be private, and suddenly Kristin is the centre of a scandal.

70 years after Det Norske Teatret first staged Peer Gynt, Erik Ulfsby and his excellent team have developed a new version, with the role of old Peer congenially filled by Toralv Maurstad. The play’s original chronology has been broken up and fragments of Peer’s life reordered – all observed by an aged spirit who is on the threshold to the other side. Maurstad’s acting is “overwhelmingly great. He carries the role of Peer Gynt on his 92-year-old shoulders. This is pure theatrical magic.”

A group of migratory rail road workers arrive in a small town in Norway, and cause social conflict. One of the men, Sjugur, stands apart as a strong, independent man. The girls like him, but he has set his sights on the daughter of a wealthy landowner.

Durant la Seconde guerre mondiale, l'attaque allemande sur la Norvège durant trois jours décisifs d'avril 1940.

When a married doctor brings home a gay medical student that he's smitten with, his wife goes along and the three try to build a non-traditional relationship. Then society's homophobia intervenes.

Julia washes train coupes for a living. When she meets the married Karl-Henrik, the secretary of the Minister of Justice, she falls in love and gets him involved in criminal activities

Norwegian: The late 19th century Christiania (Oslo) could offer a rich variety of entertainment. There were several variety theatres and brothels, and poor women could earn money based on their looks. The beautiful variety actress Lucie (Inger Lise Rypdal) has met a lawyer by the name Gerner (Gösta Ekman), a refined gentleman. Flowers and encounters outside the theatre develops into an erotic relationship. Lucie knows how to play on Gerner's jealousy and masculine pride, and finally she reaches her goal: becoming Mrs Gerner. For Lucie this means climbing the social ladder, but she'll soon notice the problems. Living in the upperclass society keeps reminding her of her poor background and her lack of etiquette. All this affects Gerner in a negative way, who is plagued by jealousy regarding people from Lucie's past. The relationship between the married couple keeps getting worse.

Pakistani Ali Reza is found dead under a bridge, with a stab wound in the back. He was last observed boarding a bus the night before.

A film about secrets that shouldn't be secret. When the mommy-fish dies, Boj has had enough, and gets power from his own fantasy to go further.

The classic tale by Henrik Ibsen; a complete opposite of a hero, is banished from his village for his (in)actions. He then travels the world with more or less the same result trying to impress this is from NRKs "Fjernsynsteateret"

The series follows the first years of Henrik Ibsen, the father of the modern drama. From he is 14 years old, until he moves to Christiania as a 22 year old.