Max Guazzini

Les années 80 sont entre autres celles de la frime, où le look et la richesse affirmée sont de mise. Le culte de l'apparence devient primordial et la recherche du superficiel et du «fun» offrent un tremplin à des créateurs talentueux comme Jean Paul Gaultier, Sonia Rykiel ou Thierry Mugler. C'est aussi l'époque où le clip fait son apparition, révolution lancée par la chaîne américaine MTV. Les émissions musicales se multiplient, profitant de la libération des ondes et de la création de nombreuses radios libres. Enfin, c'est l'arrivée de la gauche au pouvoir, avec l'élection de François Mitterrand en 1981. Des images de l'époque et les témoignages de ceux qui ont été de grands acteurs de ces années, comme Philippe Starck, Chantal Thomass ou Harlem Désir, offrent de revivre la folie des années 80.

Haute en couleur et riche en tubes, la décennie 80 a marqué toute une génération et fait encore danser les nostalgiques. A travers les yeux de Stéphane Basset, enfant des «eighties», ce documentaire évoque celles et ceux qui ont été les acteurs de cette époque en France, à Londres et Los Angeles.

Originally created in support of charity, the popularity of the calendars has been credited for the increased fame of the Stade Français team, as well as rugby in general, in France. The calendars are part of a marketing strategy crafted by Max Guazzini, President of the rugby club. A savvy marketer who built the NRJ Radio group, he has successfully used the calendars to attract a new audience to rugby matches (live and on TV), such as women.

Originally created in support of charity, the popularity of the calendars has been credited for the increased fame of the Stade Français team, as well as rugby in general, in France. The calendars are part of a marketing strategy crafted by Max Guazzini, President of the rugby club. A savvy marketer who built the NRJ Radio group, he has successfully used the calendars to attract a new audience to rugby matches (live and on TV), such as women.

Originally created in support of charity, the popularity of the calendars has been credited for the increased fame of the Stade Français team, as well as rugby in general, in France. The calendars are part of a marketing strategy crafted by Max Guazzini, President of the rugby club. A savvy marketer who built the NRJ Radio group, he has successfully used the calendars to attract a new audience to rugby matches (live and on TV), such as women.

Originally created in support of charity, the popularity of the calendars has been credited for the increased fame of the Stade Français team, as well as rugby in general, in France. The calendars are part of a marketing strategy crafted by Max Guazzini, President of the rugby club. A savvy marketer who built the NRJ Radio group, he has successfully used the calendars to attract a new audience to rugby matches (live and on TV), such as women.

Originally created in support of charity, the popularity of the calendars has been credited for the increased fame of the Stade Français team, as well as rugby in general, in France. The calendars are part of a marketing strategy crafted by Max Guazzini, President of the rugby club. A savvy marketer who built the NRJ Radio group, he has successfully used the calendars to attract a new audience to rugby matches (live and on TV), such as women.