Unni Bernhoft

The film is about suburban families, trying to be perfect housewives, and their theories in what is the right way of treating and accepting husbands and kids.

First Norwegian film in color.

At a high mountain hotel in Norway, porter Poppe tries to do the best he can for the guests with an often unhelpful piccolo Rudolf. This, however, leads to a lot of problems, and Poppe thinks some of the guests behave inappropriate.

Shipping broker Landheim tries to save a failing theater, but falls in love. Is the broker a journalist, and the actress a prima donna? Who knows?

In suburbia Solbråten has some residents received bildilla. The otherwise wayward husbands forget their obligations for both work and home. There is also a great contest in having more cars in their recovery than neighboring upswing.

A group of very different men are summoned for their refresher training at Haglemoen military camp. One more strange than the other, we get to meet jovial salesman Goggen Rask, car mechanic Bottolph Johansen, nicknamed daydreamer, and ship-owner Rieber Larsen Jr. They form an unruly faction which Major Kampstrup struggles to maintain structured and prepared, not to mention keeping them inside the camp premises before they pretend sick to see the nurses Bitten and Florence. The men do their best to get through their rigourous training, with great confusion and comical situations.

The film is about suburban families, trying to be perfect housewives, and their theories in what is the right way of treating and accepting husbands and kids.

A man falls in love with his young French language teacher. It becomes a complicated love story when his class mate Karin also begins to fancy her.

A meta-film about a film and the common man in our own political reality. A reality that is just scenes of a film without any cinematic development, but which might be plain reality tomorrow.