Vasiliy Nemirovich-Danchenko

Are the manuscripts actually burning? Is the artist responsible for his works? Is the "child's tear" important in the modern world?

Screen adaptation of the two-part play "Chekhov's Pages" staged by the Moscow Art Theater. M. Gorky based on one-act plays and stories by A.P. Chekhov: “Gimp”, “Lecture on the dangers of tobacco”, “Anniversary”, “Pecheneg”, “The Story of Mrs. N.N.”, “Swan Song”.

The whole film has three, (but in reality, two main) characters. Most of the action takes place in a country house, home to the pair. She - a Japanese translator, he - a man without a definite occupation, lover of the texts of Nietzsche (which he reads fluently in its original language) and St. Augustine (who is quoted in Latin). They are Moscow intelligentsia who have emigrating to their own cultural space. A couple so different that it is difficult to understand what keeps them together. It seems they live together, not because of, but rather in spite of everything that is happening (or rather, not happening) between them.

Chekhov's immortal classic about three sisters who live in a provincial town, in 19th century Russia, but dream of going back to Moscow and rewriting their own story.