Jitka Cerhová

Marie 1 et Marie 2 s’ennuient fermement. Leur occupation favorite consiste à se faire inviter au restaurant par des hommes d’âge mûr, puis à les éconduire prestement. Fatiguées de trouver le monde vide de sens, elles décident de jouer le jeu à fond, semant désordres et scandales, crescendo, dans des lieux publics...

Après une explosion nucléaire, les femmes ont de la barbe et ne peuvent plus enfanter. Les Nations Unies décident de construire une machine pour voyager dans le temps, afin d'aller tuer Einstein, espérant qu'ainsi la Bombe A ne soit jamais inventée...

Sarcastic comedy about the Czechoslovakia of the seventies. A young gynaecologist can't figure out whether to get serious with a young nurse or to stay casual with his married lover. Things get complicated when both women don't want to play his game anymore.

This three-part ballad, which often uses music to stand in for dialogue, remains the most perfect embodiment of Nemec’s vision of a film world independent of reality. Mounting a defense of timid, inhibited, clumsy, and unsuccessful individuals, the three protagonists are a complete antithesis of the industrious heroes of socialist aesthetics. Martyrs of Love cemented Nemec’s reputation as the kind of unrestrained nonconformist the Communist establishment considered the most dangerous to their ideology.

Even in 1970, films were made, prepared in previous years and expressing the poetics of that time. Ivan Renč created an almost protocol parable, deliberately set outside time and space, playing out a supremely model situation. In a somewhat rambling and not always convincing story, it tells the story of a young prison guard who dreams of living on a lonely lighthouse. He is ridiculous in his own way, with a distorted character, he hardly finds any satisfaction in his job, he cannot command the slightest respect from the prisoners - and the hero then takes out his excess pressure by abusing a defenseless dog. And one day there will be a short circuit meeting.

In the Prague Old Town and the adjoining streets there is always plenty of life. Housewives shop, beggars arouse sympathy, the Salvation Army tries to put the godless on the road to salvation by hymns and sermons, and Ferdys Pistora hunts in the pockets of his fellow men and isn't even put off by the presence of an officer of the law. Ferdys sets off to burgle villa of the banker Rosenstok, but a fire breaks out in the house and Ferdys ends up saving the banker's two small children. For this he is celebrated as a hero and gets a place as an errand boy with the Rosenstoks. At home he is visited by representatives of the Salvation Army, Captain Kosterka and Terezka, with whom Ferdys instantly falls in love.