Paula Ali

Dans un village cubain, une nouvelle se répand comme une trainée de poudre : tous ceux qui portent le nom de Castiñeiras recevront un héritage juteux que des religieuses ont déposé dans une banque anglaise au XVIIIème siècle. Tous les Castiñeiras commencent à faire les démarches pour toucher leur part, mais ils rencontreront beaucoup d'obstacles sur leur chemin.

Every weekend at an illegal drag show in the suburbs of Havana, Sebastián, a 17-year-old Cuban teenager, transforms into 'Mila Caos', his empowered, flamboyant alter-ego. When he returns to his daytime self, Sebastián suffers from his mother's indifference, dreaming that one day she will see him on stage for who he truly is.

Carla, a young postal worker in Havana, spends her days postmarking thousands of letters and dreaming of the day when she can be reunited with her parents, who moved to Miami when she was fifteen. To fulfill her longing for intimacy, she opens random letters and rewrites them into lyrical prose, believing she is helping her fellow Cubans understand one another better. Beautifully filmed in black and white accented by brilliant colours, Nada+ has a stunning visual composition. With its delightful mix of visual humour, theatrical characters, satire and a lighthearted love story, it has a distinctly Cuban flair.

A prestigious theater group in crisis prepares for the staging of a famous love tragedy. Mirtha, an actress marked by frustration, decides to leave the theater when a guest conductor offered a starring role. The incorporation of young actors, unscrupulous, and an inspector trigger a series of situations that will endanger the reputation and power of the actress who heads the group.

A car accident. The victim is Nelsito, a 16-year-old autistic teenager, who has runaway from home. From his stretchter and through his imaginary pen, Nelsito reveals the dark and hidden side of all those around him: perverse children, murderous women, adorable swindling girls... Until he recovers...

Located in deep Spain at the beginning of the 20th century, the work reveals a traditional society where violence and oppression against women is exercised even by women themselves in a mimetic replica of the model imposed by patriarchal society. The presentation goes from contemporaneity to the time with the character of Bernarda and returns to the contemporaneity with that of Adela, emphasizing what we must leave in the past and the freedom that we defend for our present.

Revolves around a love triangle that later evolves into a love square involving three Cubans and a Soviet soldier. Set in a fictitious rural village near a Soviet military base in central Cuba, their amorous adventures, or misadventures, unravel against the backdrop of the 1962 Cuban missile crisis.

Iluminada lives a poor life but her luck turns around when she wins a prize from a Rina brand soap.

A Cuba, un jeune homme qui coiffe les perruques d'artistes travestis, rêve de chanter dans leur cabaret. Mais son père, qui sort de prison, a d'autres rêves pour lui…

Julio del Toro is a successful writer in his fifties, who has always had his life under his control, until the day that, returning from one of his frequent foreign travel, this consistent world will fall into crisis. His daughter has started an affair with a Spanish older than him, his mistress poses a serious ultimatum, a young journalist begins to prepare a report on his work, and he faces the question if he is already finished as a creator. While Julio feels increasingly confused and disoriented, the women around him will make the decisions that he is not able to take.

Quatre amies se retrouvent après vingt ans sans se voir. Le récit de leur vie impose à chacune d’entre elles les défis qu'elles sont prêtes à relever ensemble.

In a Havana public office, the charwoman discovers the sexual activities among the workers.

The architecture student Estela (Silvia Aguila) makes a suicide attempt after her plans for solving Havana's housing shortage are rejected. This brings her into contact with earthy, cynical hospital nurse Ernesto (Jorge Perugorria). Estela invites him home for dinner, and he succeeds in offending everyone present. Unable to find a quiet spot to be alone, they finally find a squatters' tenement, where their sexual frenzy causes a ceiling to collapse. They next try vertical love in a stalled elevator, trapping people in the modern building minus stairs. Fleeing responsibilities, they stage a romantic rendezvous alongside a country river, but once again they are interrupted as Cuban commissars arrive with papers and forms because the couple constructs a hut beneath a bridge. Amid the misadventures, lust turns to love