Uroš Kaurin

The student Darko Zuljan likes the partisan songs so much that he decides to revive the songs and put his idea into practical use as much as possible.

Film is talking about scouts who spend their free time in nature. Aleks is camping near Soča river together with his friends. Starešina, the scouting leader is taking everything too serious and that cause a lot of problems. And boys are a lot more interested in girls than camp. The movie was filmed in ideal Triglav National Park in Slovenia.

Tragedy doesn’t come any more Dickensian in tone or Shakespearian in scope than this dark social drama of the disintegration of a little family of four. A series of small debts triggers the swift domino effect that unleashes chaos on a well-meaning working class dad who has the bad judgment to speak truth to power.

Zdravko is a retired widower. His daughter never visits him and he lives a solitary existence. One day, he notices that people who walk their dogs in the park stop and chat. So he borrows his neighbor's dog, Wolfy, takes him to the park, and his plan works. He finds people to talk to - but he forgets about Wolfy and the dog is gone. What is he going to tell his neighbor?

Going Our Way 2 follows the adventures of young scouts spending summer at a camp in the middle of the idyllic Slovene Alps. Because the heroes from the first film, Aleks, Jaka and Sleepyhead, are almost grown up now, the scout leader charges them with new responsibilities and assignments that also involve taking care of a group of mischievous 10-year-olds, which proves to be quite a feat. sequel of Going Our Way.

Codelli is a feature-length docudrama about a little-known film project by Slovenian inventor Baron Anton Codelli. Together with filmmaker and adventurer Hans Schomburgk he filmed in Togo in 1914 the first live-action film in Africa, which possibly inspired James Rice Burroughs for his novel on Tarzan. In the company of three Codelli’s descendants and actor Primož Bezjak, we traced the fate of Codelli’s film, brought the remains from Togo and Berlin to Ljubljana and used the Green Screen technology to bring to life 15 live-action scenes based on 600 Codelli’s museum photographs.

Ivan Cankar experienced many things only after he has written about them. In the film, this link between his writing and his private life is depicted by live-action and animated scenes that draw exclusively on the writer’s works and letters to his loved ones. For an entire decade, he lived with the Löffler family in Vienna, where he wrote most of his impressive oeuvre. First, he grew very close to the lady of the house, then to her adolescent daughter Steffi. Back in Ljubljana, he got involved with several girls there, an attentive lover of a cheerful nature, accessible and highly intelligent. His popular public lectures reveal him as a passionate social democrat.