Jalila Tlemsi

Casablanca, Maroc. Zineb s'évade de prison pour sauver sa fille de la garde de l’État. Mais les choses se compliquent rapidement lorsqu'elle prend en otage la conductrice d'un camion, Asma. La police aux trousses, les trois femmes se lancent dans une cavale dangereuse à travers l’Atlas, ses roches rouges et ses déserts brûlants…

Nora, who has been attached to her work and her career, decides to sacrifice everything so that she can raise her daughter, Hind one year old, and take care of her house, because her husband Salim earns a good living. Since they had Hind, the couple decides to reduce their quarrels and shouting matches so as not to create bad energy in the house and around their daughter. The violence decreases in the house, but the traps and dirty tricks are still there to entertain. Nora and Salim can't live without bothering each other.

Hayat is released after serving a long prison sentence. She returns to her hometown in northern Morocco, where she finds herself faced with a brother who refuses to welcome her for fear of shame. Hayat merely wishes to see her son so she can explain the truth to him. She meets Amal, who works in a fruit factory and takes care of Houda, her sister who is two years her junior and suffers from a severe disability. The courage and strength of these three women drives them forward in the face of exclusion, exploitation and marginalization.

On the last day of Ramadan, a hastily assembled crew of technicians waits in a shabby Morocco television studio for the arrival of an important personality, expecting to film what their director Rita promises will be the interview of their lifetime.

Naïma a élevé seule à Tanger ses trois fils. Deux déjà ont pris tragiquement le chemin de l’exil. Alors quand Hossein le dernier envisage à 16 ans de partir à son tour, elle invente un prétexte familial et l’entraine vers un village du sud du Maroc. Tenant désormais sa mère pour responsable de ses frustrations d’adolescent citadin, Hossein lui oppose une résistance sans merci.

Three masked men invade a rich family in their home in broad daylight to steal their money. But nothing is what it appears.

Trois patientes et une infirmière d'un pavillon psychiatrique de Casablanca confrontent leurs souffrances et développent une amitié forte, échappant à elles-mêmes en de salutaires virées nocturnes qui les ramènent peu à peu à la vie. Une amitié forte se tisse entre ces femmes qui vont tout faire pour sortir de leur enfermement personnel et se viennent mutuellement en aide par tous les moyens possibles.

The film tells about the problems of four men (Karim, Amin, Tarek, Said), Karim's problem is the difficulty of communicating with women, which leads him to consult a psychiatrist who tells him that he suffers from women's phobia. Amine Is an entrepreneur, and his dream is to marry a supermodel. Tariq on the other hand is an actor with several transient relationships with women, while hoping to find the women of his life one day for marriage, Saeed, a surgeon, dreams of a rich woman who builds a private clinic for him

The protagonist is obsessed with the 1982 film Disco Dancer that his now deceased projectionist father showed him when he was a kid, a film that, his father said, contains the answers to all questions. Jimmy adopts the name and dress of its hero, his bedroom is an altar to Bollywood and disco, he lives in a state of arrested development that starts and stops with Disco Dancer. Of course, he is in love with Mouna, the dream girl who lives on the other side of the tracks, and whose bourgeois demeanor rubs up his pal, Houda, the wrong way. In order to get to her, the dazzled thirty-year old dreamer decides to shoot a remake of Dirty Dancer with a “borrowed” IPhone, in the slums. The destruction of the latter is imminent, under the harsh command of a cruel villain: Barkour.