Lúcia Pires

A look back at the history of Brancusi's futuristic golden bronze phallus "Princess X" that is in fact a bust of Napoleon's incredible great-niece, Marie Bonaparte.

Alice decides to move to Berlin, and Ema, her roommate, organizes her a farewell dinner, “The Useless”.

Suddenly a mysterious woman appears in the West of Portugal. Everybody had seen her, but no one knew her. Mother, fairy, angel, owner of a wine business? Lúcia Pires’s (Fauna, 2018) film questions confabulation and existence without a proof.

With no career expectations, a temperamental young woman gave in to a job as a maid in a hotel. Makes the beds, replaces the towels, replaces the soaps. One day she discovers a suitcase left behind by a whimsical French tourist, inside which she finds a lime green canary, a natural yogurt and a five hundred euro envelope.