Arnaldo Mangolini

Before finally entering the afterlife, the dead spend a period in a limbo from which they depart only when, among the living, there is no one who remembers them. Under the care of the salacious Domenico the visitors of a small cemetery recount how they arrived at eternal peace.

Quelque part dans l'Ouest, un gang de desperados, menés par un tueur qui ne rate jamais sa cible, prépare un nouveau gros coup : l'attaque d'une diligence un peu particulière. Les bandits n'en ont pas après son contenu, mais après la diligence elle-même, qu'on dit faite en or. Cependant, un étranger solitaire est également sur le coup, et il n'a pas l'intention de les laisser s'en tirer avec le trésor. Hélas pour lui, ses ennemis le capturent et le laissent pour mort. Mais l'étranger a de la ressource, et il compte bien se venger. Second volet de la trilogie de l'Etranger, réalisée par Luigi Vanzi et interprétée par Tony Anthony, quelque part entre Franco Nero et son Django, et Clint Eastwood et son Homme sans nom.

Deep South Italian seventies. The performing and penniless sales representative "Tano" Avallone, fell in love with the beautiful Mariangela, sixteen-year-old daughter of the widowed lawyer "Totonno" Fortis Pantaleo. In order to approach the girl, he enters the graces of the professional, posing as his childhood friend and saying he is willing to eliminate the elderly Donna Mercedes, mother of these, so that he can inherit the substances. Guest of the family, Tano finds himself involved in a whirlwind of feminine attentions, including the free-range governess Immaculate, unnecessarily coveted by the lawyer, and the servant Sisina, desired by the parish priest.

The young Vittorio Pieroni throws himself from a railway overpass when a train is passing by; escaped suicide and rescued by an ambulance, remembers the circumstances that led him to commit that gesture