Patricia Marjorie

Afonso is a university professor and a single father to his son Benedict. One day, they decide to take a trip together, but face problems when their car breaks down. They are helped by four very beautiful telemarketing operators who take them back to São Paulo.

A group of bored well-off young adults come up with anarchic concept of Conceptionism, that promotes absolute looseness when it comes to sex and drugs, but total rejection of money and ego. However, their movement won't last long.

New York City attracts Jane and Carlos, like so many others, with the promise of a better life. That's why they've left their home country, Brazil. Yet as immigrants, they don't have all the opportunities that the American dream implies. Their search for a new and better life represents that of all the immigrants who dare to attempt a fresh start in another country. It is also the story of changes taking place in United States and Brazil. The fictional story about Jane and Carlos in this experimental film is intertwined with the personal experiences of the film team, which reports in interspersed episodes about their own immigration and that of others they've researched.