Gudrun Henricsson

It's the early 20s, just after World War I. In Sweden, restrictions on alcohol are harder than most people like and so, smuggling is abundant. In this particular little town, smuggling is ruled by one man, who is the king of smugglers. The smugglers who work for him don't get to keep much of the profit themselves, but if they don't work for him, they get in trouble, which his henchmen make sure. However, Albert Jansson arrives in town and starts taking up the competition with the smuggler king. Meanwhile, the police, together the customs office, try to catch the smugglers.

This is a comedy about people who work in the theater, live for the theater, think of nothing but the theater. The director seems crazy, the art director has idiotic ideas, and the acting coach is eccentric: they even look like brothers, related by their common obsession for the theater, linked as one with the actors. The new project is Mozart's Don Giovanni, in which the director insists to give it a brand new interpretation and an avant-garde treatment. Now, he has to deal with the violent objection from the actors, the musicians, the singing coach, the stage manager, and even the cafe bar attendants and the cleaners. The situation is further complicated as the director is such a womanizer like Don Juan... and his lovers and kids keep bugging him throughout the rehearsal...

The animals hold a congress to decide what to do about humanity and the nuclear bomb.

Agnes is a widowed hairdresser who lives with her two sons and her immature brother. Agnes struggles with different problems between home and work.