Tomás Eloy Martínez

In 1971, the graphic and advertising artist Juan Fresán set out to film the story of Orélie Antoine de Tounens, the delirious Frenchman who 100 years earlier had proclaimed himself ‘King of Patagonia and Araucanía’, with his own constitution, currency and ministers. The film, titled "New France," was left unfinished, first due to lack of funds and then because its author had to go into exile. If the story is familiar to many today, this is because in the '80s Carlos Sorín made' The King's movie ', inspired by that frustrated shoot, in which he had worked as a cinematographer. In 2004, Fresán contacted Turturro to help him rescue the preserved film. Fresán died in that same year, but Turturro decided to retake the trace of that truncated film, exhuming unpublished materials, returning to their original settings and gathering testimonies, to illuminate the two stories - one within the other - that make up this true story, more strange and fascinating than any fiction.

Three episodes about the influence of Satan: a black boxer commits killings under the influence of his manager.A pair of lovers is haunted by the memory of a murdered wife.A wedding in the mountains is disrupted when the bride sees an apparation of the Devil who shares his expertise in astrology and the female heart.

Set in the 1920s in Venezuela, this political melodrama by Jacobo Penzo follows the decision of the fictional Cruz Elías León (Franklin Virguéz), a young Venezuelan poet, to give up a life of social and possibly mainstream political advancement to go back to his home and family in an isolated fishing village and combat the despotic military dictator in charge of the country.

Based on the life of María Salomé Loredo, a figure famous for her healings and assistance to the poor of the late nineteenth and first half of the twentieth century.

Identical teen twins Jake and Blake were unaware of each other's existence until fate reunited them.

Après la mort d'Eva Perón en 1952, son cadavre est conservé pendant trois ans en attendant la construction d'un mausolée - un lieu de repos qui ne sera jamais construit. En 1955, les militaires prennent le contrôle de l'Argentine et cachent le corps de Perón au public, craignant qu'il ne fédère le pays contre eux. Mais ils n'ont jamais imaginé qu'en agissant ainsi, elle deviendrait plus dangereuse à travers la mort qu'elle ne l'était de son vivant.