Rogelio Sosa

Dans un Mexique intemporel où les femmes disparaissent, une jeune fille, Huck, porte un masque pour cacher sa féminité. Elle aide son père, un junkie tourmenté, à s’occuper d’un terrain de baseball abandonné où des trafiquants de drogue se rejoignent pour jouer. Le père tente de protéger sa fille comme il peut. Avec l’aide de ses amis, un groupe de jeunes perdus qui a le pouvoir de se camoufler dans le désert balayé par le vent, Huck doit se battre pour dépasser sa réalité et vaincre le caïd local.

In 1987, the film director and video artist Sarah Minter, made the documentary exercise Nobody is Innocent, a film that portrayed the daily life of the youth gang Los Mierdas Punk, from and residents of Ciudad Neza, State of Mexico. More than 20 years later, Minter returns to the streets where the tape was recorded to reconnect with the original members of the band, who today are around forty years old and still live in the same places.

After the death of his son, Javier hopes that restoring his family's abandoned ranch will allow him and his wife Mariana, who attempted suicide, a new beginning, but his grandmother refuses.

When her first daughter is born, Inés, an independent and successful woman, discovers that her previous life is slipping away from her without it being clear if what awaits her in the future is better. Dante and Soledad, a couple of saltwater fish, will be both mirrors and witnesses of her transformation. It is through her reflection that Inés will realize what she must do to face her new life.

Amid Mexico's humanitarian crisis, with over 100,000 people missing due to organized crime, The Endless presents a poignant collection of testimonies from victims' families, researchers, and pit trackers. Traversing Veracruz, Mexico City, and Ciudad Juárez, the film captures the enduring struggle of those left behind, grounding its lens in their relentless pursuit of answers and justice.