Kong San

Chor Yuen was Gu Long before he started filming Gu Long. The director's first wuxia film, made at Shaws' rival Cathay, finds him relishing in a mode of expression that would later become the signature style of the 'martial-arts suspense thriller' mini-genre. Chor grafts the quasi-psychological stylishness of his Cantonese melodrama onto this actioner, laying on thick the atmosphere by dialling up the fog machine and unleashing the colours from his camera's palette. He also stages his fights in modern dance-like choreography, with moves that are more graceful than ferocious and paused poses that are longer on expressive narcissism than continuity of action. Cold Blade is the quiet beginning of an aesthetic.

HK mystery film.

A young suitor loses his girlfriend to a wealthy businessman. At first he's angry. Then in a fit of depression, he goes to the sea shore where he finds lizards. Immediately he puts the lizards into a bag and takes them home. Then he becomes obsessed with ladies dirty underwear and he steals six or seven "tainted" ones from public restrooms and brothels. At this point the man mixes the juices from the underwear with a special "aggressive compound" and then injects the fluid into the lizards. The little reptiles (now hooked on "love juice") become soldiers in his personal battle against females. "I hate women!" he screams, holding helpless victim's legs apart allowing the little creatures to gain entrance. Lots of women die, driven mad with sexual ecstasy and pain, while the misogynist psycho howls with laughter.

The Northern and Southern Champion swordsmen discover the Tartars have murdered their families and the only thing on their minds is revenge.

Adapted from one of China's most well-known fairy tales, the Goddess of Mount Hua falls in love with a young mortal scholar Liu Yanchang and gives birth to a baby son, Chenxiang. When Chenxiang grows up, he seeks to unravel the mystery surrounding his mother whom he has never met.

Hong Kong drama directed by Wong Tin-Lam.

The Great Plot is a Hong Kong Martial Arts movie

Yang buys a painting of fox fairy. When he faces the painting and calls "Qing Mei", a fox fairy will get out the painting and stay together with Yang. Yang's parents invite a Taoist to catch the fox, but a vampire appears to kill the Taoist's assistant and seduce Yang. The fox fairy fights the vampire to protect Yang.

Melinda Chen Man-Ling stars in another Cathay wuxia flick.

Three tales taken from author Pu Songling's collection of famous classical ghost stories. Wu Qiuyue- Wang Ding falls in love with a ghost and fights with the guards of Hades to bring her back. Monk Lu Shan-A monk takes Wang Qi as pupil and teaches him the act of walking through walls. A Woman's Head- Li Sheng marries Rui niang only to discover that she is a headless ghost.

Sequel to the 1969 Cathay Studios film The Monkey In Hong Kong.

In "Forbidden Killing" Melinda Chen Man-Ling plays a highly trained swords woman who gets involve in a power struggle between two groups mandarins in the government.