Kyoko Kami

A gripping historical drama that follows the explosive growth of Katsu Kaishu, the hero of the Meiji era, and the interesting human image of his father, Kokichi, who lived for the common people, his neighbors and his children. A film about paternal and maternal love and conjugal love in the creation of mankind, about the healing power of which laughter and tears have. The film that became the last work of the giant star Tsumasaburo Bando.

On the outskirts of Tokyo, a family of Mitsu Nakahara lives in one of the small huts surrounded by barracks and tin pens. Mitsu's husband died in the war, and she was left alone with four children and works as a day laborer. The eldest daughter Haruko, who is already nineteen years old, works in a clothing store, the second daughter Natsuko works in a restaurant, a schoolboy Akio is studying carpentry, and even the youngest Fuyuko helps her mother by working as a nanny in a neighboring house. Nearby lives a widowed electrician Tokuji Yamada with two boys - Norio and Tatsuo. He has a widowed daughter, Sakiko, who, along with a small child, ran away from home, as she is going through hard times. At Haruko's suggestion, Mitsu and Tokuji get married, and it would seem that happiness smiles on their new family, but it turned out to be short-lived…

Chikuzen, a ronin named Yoh Daisuke, after pacifying some ruffians at the theater of Onna-Kata Ogino Sawanojiki, formed a bond with the theater's bodyguard, Maruhashi Tadayasu, and Kaku, a priest. He ended up settling at the Kasugaya, the house of Oko, whom he had saved. When Oko decided to go to Edo, where her biological father lived, Daisuke accompanied her. Along the way, at Suruga Abe River, they encountered Sawanojiki's theater group, which had departed from Osaka earlier heading to Edo. A scuffle initiated by Tadayasu over a ferry boat with the students of Yui Masayuki but was amicably resolved through Masayuki's intervention.

During the Genroku era, Azusa Gennosuke, renowned in Nara as a top swordsman and a scholar, crossed swords with the Magistrate Kurobane Yatayu, who tried to force himself on Gennosuke's beloved foster-sister, Kikuno. As a result, Gennosuke's younger brother, Shichisaburo, was killed. Separated from his mother, Gennosuke found himself on the run from the officials.

Underneath Himeji Castle, Miyamoto Bensuke was determined to inherit the will of his late father, Shinmen Munenori, and aimed to become a great swordsman. For this purpose, he challenged anyone he could to matches and eventually forced a duel upon a martial artist named Arima Kihei, whom he killed. Munenori's old friend, the monk Guan Ando, reprimanded Bensuke's brutality and told him to go to the capital to refine his skills.

1953 Japanese movie

Japanese drama

Shinya Ban (Masao Wakahara) returns from the south and is deeply disappointed when he learns that his mutual friend Yuriko (Mieko Takamine) is marrying Toshio (Toshio Hosokawa), the son of Zenpei Hamaguchi (Yoshito Yamaji), for her obligation. He encouraged the unhappy Yuriko and taught her how to make her marriage with Toshio a happy one. He makes a fresh start as an architect under the care of Ryosuke Shibata (Jiro Yanagi), who had taken care of his father, but Ryosuke's daughter Sumiko (Yoko Katsuragi) has feelings for him. Fujie Kakimoto's (Sadako Sawamura) son Koichi (Eiji Wakasugi) came to know about Sumiko and asked her to marry him after coming to Shinya to ask for her design. Knowing that Shinya's love for Yuriko would not be easily wiped away, Sumiko decided to marry Koichi, who had a bad leg. Shinya watches the beautiful bond between Koichi and Sumiko and decides to forget his past and move forward on the path to self-perfection.

Machiko and Haruki’s drama continues. Machiko is not allowed to see Haruki. They finally meet again, but Haruki departs to Europe.

1952 Japanese movie