Yannick Bellon

Recently added

D’où vient cet air lointain? Chronique d’une vie en cinéma
1
Des photos, des extraits d'archives, privées ou issues de l'actualité, illustrent le récit de Yannick Bellon quand elle raconte son enfance, son initiation culturelle auprès des amis de sa mère - la photographe Denise Bellon - sa propre carrière ou les soubresauts de l'histoire auxquels elle a assisté. Les Surréalistes, la guerre d'Espagne, la Seconde Guerre mondiale, un premier amour nommé Jean Rouch, des débuts au cinéma effectués à Nice sont autant de souvenirs égrenés au fil d'un documentaire aux accents très personnels.
Documentary
Colette
6.3

Colette

Mar 31, 1951
In conversation, in her Paris apartment, Sidonie-Gabrielle Colette, mime, dancer, novelist, wonders whether she should give the green light to a proposed film about the houses in which she lived. “I’m no longer photogenic,” she insists; nearly 80, marriages, affair with a stepson and intermittent lesbianism behind her, refusing now even to mention the arthritis that confines and assaults her, Colette is vivacious. Yannick Bellon’s captivating postmodernist film, as much a study of evanescence as any poem by Dickinson, segues into the film that Colette, a few years before her end, has just said she doesn’t want to do. Giving voice(over) to her own commentary, she goes back, first, to the home in Saint-Sauveur-en-Puisaye, Yonne, where she was born.
La Triche
3.6

La Triche

Aug 08, 1984
In conversation, in her Paris apartment, Sidonie-Gabrielle Colette, mime, dancer, novelist, wonders whether she should give the green light to a proposed film about the houses in which she lived. “I’m no longer photogenic,” she insists; nearly 80, marriages, affair with a stepson and intermittent lesbianism behind her, refusing now even to mention the arthritis that confines and assaults her, Colette is vivacious. Yannick Bellon’s captivating postmodernist film, as much a study of evanescence as any poem by Dickinson, segues into the film that Colette, a few years before her end, has just said she doesn’t want to do. Giving voice(over) to her own commentary, she goes back, first, to the home in Saint-Sauveur-en-Puisaye, Yonne, where she was born.
Thriller
D’où vient cet air lointain? Chronique d’une vie en cinéma
1
In conversation, in her Paris apartment, Sidonie-Gabrielle Colette, mime, dancer, novelist, wonders whether she should give the green light to a proposed film about the houses in which she lived. “I’m no longer photogenic,” she insists; nearly 80, marriages, affair with a stepson and intermittent lesbianism behind her, refusing now even to mention the arthritis that confines and assaults her, Colette is vivacious. Yannick Bellon’s captivating postmodernist film, as much a study of evanescence as any poem by Dickinson, segues into the film that Colette, a few years before her end, has just said she doesn’t want to do. Giving voice(over) to her own commentary, she goes back, first, to the home in Saint-Sauveur-en-Puisaye, Yonne, where she was born.
Documentary
D’où vient cet air lointain? Chronique d’une vie en cinéma
1
In conversation, in her Paris apartment, Sidonie-Gabrielle Colette, mime, dancer, novelist, wonders whether she should give the green light to a proposed film about the houses in which she lived. “I’m no longer photogenic,” she insists; nearly 80, marriages, affair with a stepson and intermittent lesbianism behind her, refusing now even to mention the arthritis that confines and assaults her, Colette is vivacious. Yannick Bellon’s captivating postmodernist film, as much a study of evanescence as any poem by Dickinson, segues into the film that Colette, a few years before her end, has just said she doesn’t want to do. Giving voice(over) to her own commentary, she goes back, first, to the home in Saint-Sauveur-en-Puisaye, Yonne, where she was born.
Documentary
Vacances portugaises
5.6

Vacances portugaises

Oct 09, 1963
In conversation, in her Paris apartment, Sidonie-Gabrielle Colette, mime, dancer, novelist, wonders whether she should give the green light to a proposed film about the houses in which she lived. “I’m no longer photogenic,” she insists; nearly 80, marriages, affair with a stepson and intermittent lesbianism behind her, refusing now even to mention the arthritis that confines and assaults her, Colette is vivacious. Yannick Bellon’s captivating postmodernist film, as much a study of evanescence as any poem by Dickinson, segues into the film that Colette, a few years before her end, has just said she doesn’t want to do. Giving voice(over) to her own commentary, she goes back, first, to the home in Saint-Sauveur-en-Puisaye, Yonne, where she was born.
Drama
Die Windrose
5

Die Windrose

Mar 08, 1957
An international anthology about the struggles of female workers around the world.
Drama
Le Bel Âge
5.3

Le Bel Âge

Feb 10, 1960
Steph, Jean-Claude and Jacques work in a Parisian art shop, but they mainly work in the field of eroticism, which they conceive as a wide-ranging field of exercises and experiments.
Comedy
La morte-saison des amours
5.2
Steph, Jean-Claude and Jacques work in a Parisian art shop, but they mainly work in the field of eroticism, which they conceive as a wide-ranging field of exercises and experiments.
Comedy
L'Amour violé
5.4

L'Amour violé

Jan 10, 1978
Steph, Jean-Claude and Jacques work in a Parisian art shop, but they mainly work in the field of eroticism, which they conceive as a wide-ranging field of exercises and experiments.
Drama