Dina Mušanović

À Sarajevo, une adolescente en quête de reconnaissance révèle qu'elle a eu des rapports sexuels pour la première fois lors d'une partie d'"action ou vérité" entre collégiens. Piégée dans son propre mensonge, elle invente une grossesse et devient le centre d'une controverse qui échappe à tout contrôle.

Sara, a twenty something girl, has one more day to say goodbye to everything that matters to her in her hometown, Sarajevo.

Riki works for a struggling catering company. Ado, his misogynistic colleague and brother-in-law, wants to fix the business by beating up Melisa, a former co-worker who is a top cake-maker, to force her to work with them again. All the rest of the employees dismiss Ado's plan as stupid and senseless. However, Ado is a stubborn savage, and his colleagues know he won't give up unless he is stopped. Riki is divided between a sense of justice, and the norms through which we tolerate family and friends no matter what they do.

During a troublesome shooting of a short art film about a war crime at the location where it took place, three young independent filmmakers discover they are being watched by a stranger.

Yugoslavia, 1991. Far away from the war zones, Branka gets a job at the maternity ward of a state hospital. The young woman is all alone, but it turns out loneliness is not the hardest burden Branka has to carry. Newborns are disappearing from the hospital.

Sofija, a hostel worker in Sarajevo, has until the end of the week to empty her estranged father's office.

After discovering a dead body in the National Museum, Inspector Edib and Mido are called to the crime scene. But the disappearance of the body and the hidden motives of the Museum lead them to a web of corruption and international crime.