Long Long

Stage director Frank Castorf “might have been born to direct From the House of the Dead” (Opera Today). His gritty, visually striking adaptation brings bold modern and postmodern touches to Janáček’s masterwork without ever overshadowing the intense forward momentum of the music, conducted to dramatic perfection by Simone Young and sung by an all-star cast in Munich. Janáček adapted Dostoevsky for this powerfully compelling opera set in a Siberian prison camp, full of starkly contrasting moods and motifs, unusual in its episodic structure. The last opera Janáček ever composed, its third act was on his desk when he died in 1928; attempts by his students to “complete” his orchestration have largely fallen away over the decades in favor of the original version. Despite the grimness of the setting and the brutality of several characters, the composer’s compassion shines through in tender moments, movingly illustrating his motto for the work: “in every creature, a spark of God.”

Stage director Axel Ranisch interweaves two works, resulting in a coming-of-age fairy tale on family, love, knowledge and self-determination: Mavra and Iolanta are becoming Mavra / Iolanta.

Power struggles among rival families in 14th-century Genoa, a story of tragic love, a young girl gone missing… Verdi’s Simon Boccanegra combines the perfect ingredients for gripping dramatic opera with a strong political message. On the stage of the Salzburg Festival, this sharp critique of power set to music is brought to life by the voices of Luca Salsi, Marina Rebeka, René Pape, Charles Castronovo, and others, who join the exceptional Valery Gergiev for a captivating performance.