Inverting the form, style and time frame of commercial television advertising, Logue has produced a unique series of dynamic video portraits of avant-garde artists, writers, musicians and performers. In 30 Second Spots: New York, which Logue terms "commercials for artists," each of the succinct vignettes conveys the artistic essence of her subject with clarity, wit, and an elegant economy of means. John Cage, Steve Reich, Philip Glass, Meredith Monk, Spalding Gray and Steve Reich are among the artists who are captured here with concise drama. Each subject performs in close-up before a stationary camera.
Orlan
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Mise en scène pour un grand fiat
Jan 01, 1970Post modern and baroque as hell... good and bad taste without synthesis... semblance and false pretense... nods to the history of art... sentimental and cultural clichés: serious, funny, grotesque...
Cinématon XV
Nov 08, 1981
Orlan, carnal art
Aug 12, 2001A documentary covering the rebirth of St.Orlan from 1991 through most of the decade.
Documentary
Opération réussie n. x
Jan 01, 1992Performance artist ORLAN undergoes one in a series of surgeries that would give her “the chin of Sandro Botticelli’s Venus in The Birth of Venus, the nose of Francois Pascal Simon Gerard’s Psyche in Le premier baisser de l’amour a Psyche, the eyes of Diana in the sculpture Diane chasseresse, the lips of Gustave Moreau’s Europa in L’enlevement d’Europe and the brow of Leonardo’s Mona Lisa to draw attention to received Western notions of beauty and femininity.
Documentary
Omniprésence
Jan 01, 1994A documentary edited from ORLAN's seventh surgery in the The Reincarnation of Sainte-ORLAN series which aired live, vis satellite from New York in 1993.
Documentary
La madone au minitel
Jan 01, 1987A little girl finds a minitel by chance, and responds to "old dogs looking for puppies" with a nickname "little jesus loves animals."
La madone au minitel
Jan 01, 1987A little girl finds a minitel by chance, and responds to "old dogs looking for puppies" with a nickname "little jesus loves animals."
Mise en scène pour un grand fiat
Jan 01, 1970Post modern and baroque as hell... good and bad taste without synthesis... semblance and false pretense... nods to the history of art... sentimental and cultural clichés: serious, funny, grotesque...
Sainte Orlan et les vieillards
Feb 07, 1983Post modern and baroque as hell... good and bad taste without synthesis... semblance and false pretense... nods to the history of art... sentimental and cultural clichés: serious, funny, grotesque...
Opération réussie n. x
Jan 01, 1992Performance artist ORLAN undergoes one in a series of surgeries that would give her “the chin of Sandro Botticelli’s Venus in The Birth of Venus, the nose of Francois Pascal Simon Gerard’s Psyche in Le premier baisser de l’amour a Psyche, the eyes of Diana in the sculpture Diane chasseresse, the lips of Gustave Moreau’s Europa in L’enlevement d’Europe and the brow of Leonardo’s Mona Lisa to draw attention to received Western notions of beauty and femininity.
Documentary
Opération réussie n. x
Jan 01, 1992Performance artist ORLAN undergoes one in a series of surgeries that would give her “the chin of Sandro Botticelli’s Venus in The Birth of Venus, the nose of Francois Pascal Simon Gerard’s Psyche in Le premier baisser de l’amour a Psyche, the eyes of Diana in the sculpture Diane chasseresse, the lips of Gustave Moreau’s Europa in L’enlevement d’Europe and the brow of Leonardo’s Mona Lisa to draw attention to received Western notions of beauty and femininity.
Documentary
Omniprésence
Jan 01, 1994A documentary edited from ORLAN's seventh surgery in the The Reincarnation of Sainte-ORLAN series which aired live, vis satellite from New York in 1993.
Documentary
Omniprésence
Jan 01, 1994A documentary edited from ORLAN's seventh surgery in the The Reincarnation of Sainte-ORLAN series which aired live, vis satellite from New York in 1993.
Documentary
