Volodymyr Sulimov

It turns out that Andrei Tarkovsky’s great-grandfather and Ivan Tobilevych (Karpenko-Karyi) have family ties. In this film, Vadym Skurativskyi, a curious Ukrainian cultural historian, recounts this unexpected phenomenon, taking us to the tailend of the 19th century. Sergii Masloboishchykov recreates photographs of relatives and imposes them with the films of Tarkovsky.

Commissioner Maigret's new case. At the rate of his further service in the police.

End of the 1930s. The times of Stalin's terror. Lieutenant Scherbakov got the order to shoot several "enemies of the people". Unexpectedly, a rural wedding found itself at the crime scene. Pursuant to the instruction, witnesses were also eliminated...

The film takes place in late 1941 in Transcarpathia. Soviet paratroopers landed on the territory occupied by the Hortists. Of the six, only Olexa Borkanyuk manages to bypass the ambush. However, the Nazis, taking local people hostage, threaten to punish them if he doesn't voluntarily surrender. For the sake of saving the lives of people, Olexa goes to the camp of the enemy. The film is based on real facts from the life of the writer and journalist, Hero of the Soviet Union Olexa Borkanyuk.

A young journalist, the daughter of a famous scientist, is trying to unravel the mystery of the disappearance of a famous doctor, admired by her father - transplantologist Hematos. Based on a novel "Doctor Halvanescu's farm" by Yuriy Smolych.

Woland from Mikhail Bulgakov’s The Master and Margarita, the guide at the Bulgakov Museum, little Mikhail on his own, and his nanny, united in a single narrative in this experimental documentary inspired by the biography of the writer. To approach this mysterious oeuvre the film combines the uncombinable. Re-enactments at Bulgakov’s house in the Podil neighbourhood are met with excerpts from films by Griffith, Lubitsch and Duvivier. The heady mix of storytelling techniques makes this film a hypnotising dream, confounding like the work of the writer himself.

“True art is the strength of its versatility and incompleteness,” says Daniel Lider, a great stage artist, teacher and citizen of Kyiv, the place where his art could express itself most freely. Mixing archive footage of Lider’s creative reflections with biographical facts narrated by his wife, the filmmaker keeps the film concise, bringing its cinematic form closer to the protagonist’s philosophy, as experimental as the television production of the 1+1 TV channel could allow.

It turns out that Andrei Tarkovsky’s great-grandfather and Ivan Tobilevych (Karpenko-Karyi) have family ties. In this film, Vadym Skurativskyi, a curious Ukrainian cultural historian, recounts this unexpected phenomenon, taking us to the tailend of the 19th century. Sergii Masloboishchykov recreates photographs of relatives and imposes them with the films of Tarkovsky.