Fides Krucker

Commissioned by the Toronto International Film Festival to mark the event's 25th anniversary in September 2000, the "Preludes" program consisted of ten short films by Canadian directors which were inspired in some way by the festival. Each film screened as a prelude to a feature film in the 2000 Toronto International Film Festival program. The full "Preludes" anthology was screened on the web in November 2000, and was given theatrical retrospectives at the TIFF Lightbox in the subsequent years.

A festival is a concentration of hope. Audiences hungering for something startingly new, famously familiar or just plain "good". Actors hoping their well-conceived sincerity and ritual entrances have that special glow. Press and critics poised to love or hate lucidly. And proud, desperate filmmakers looking for that little blessing on their latest self-projection. All squeezing together for a few days, in a few rooms wondering whether this will truly be the perfect place at the perfect time. Of course, it rarely is. Mostly it's just a collection of almosts. Delicious, shared almosts.

An explosion and exploration of the moment — the breath taken — before the first note of an opening night performance is sung.

Un drame unit les habitants d'une petite ville. Un avocat vient attiser leur haine, pour apaiser ses propres démons. Dans cette ambiance de méfiance et de doute, une adolescente parviendra à reconquérir sa dignité, et à préserver l'unité de la communauté.

Camille et Martin s'aiment. Les responsables du collège religieux où ils enseignent leur demandent de légaliser leur union. Camille ne se sent pas prête pour le mariage. La mort de son chien la plonge dans un total désarroi. Sa rencontre avec Petra, irrésistible jeune femme, acrobate dans un cirque ambulant, va remettre en question son amour pour Martin.