Gary Fembot

Meet Gary, a disillusioned queen obsessed with status and “Quality of Life,” who’s living close to the edge, all the while pining for a garden cottage in Noe Valley. Vulgar people, sadistic people, ripped-off people—wherever and whenever people are falling apart, you'll find them: the Together People.

The Lollipop Generation tells the story of Georgie, a teenager who is forced to run away from home after coming out to her parents, and the homeless queer youth and other people she meets on the streets.

A utopian re-visioning of the Kronstadt Uprising of 1921, featuring film history's first cast of over 100 transgender actors, paints a portrait of formerly pro-Soviet sailors at the Kronstadt naval garrison who rebelled against the perceived failures of the new Bolshevik state.

Restless schoolboys in class have daydreams that are sweet and romantic, hot and raunchy, and disturbingly violent.

Dancer, musician, artist, and publisher of the cult queer zine Fag School, Brontez Purnell makes his directorial debut with this semi-autobiographical "video mix tape" by produced Jack Shamama and NakedSword Film Works. Relying on his punk rock aesthetic to give the world a peek into his singularly unique perspective, 100 Boyfriends Mixtape takes the viewer on an unforgettable ride that's as audacious as it is experimental.

Meet Gary, a disillusioned queen obsessed with status and “Quality of Life,” who’s living close to the edge, all the while pining for a garden cottage in Noe Valley. Vulgar people, sadistic people, ripped-off people—wherever and whenever people are falling apart, you'll find them: the Together People.

Set in an urban fairytale, DeShawn (an unlikely anti-hero) is smack-dabbing in the middle of a peculiar crossroads. He is haunted by the ghosts of one hundred men: ex-“boyfriends,” in addition to the ghosts of everyone they dated. His days are filled with spiraling epiphanies and lucid, reckless bohemianism fueled by systemic poverty and HIV ennui. In this particular sketch he is relating his philosophy of the world to an unknown caller on his landline telephone while magically shrink-fitting a new pair of jeans that he recently shoplifted from Levi’s. Commissioned by Visual AIDS in 2017 as part of ALTERNATE ENDINGS, RADICAL BEGINNINGS, a program of seven videos prioritizing Black narratives within the ongoing AIDS epidemic curated by Erin Christovale and Vivian Crockett.

Set in an urban fairytale, DeShawn (an unlikely anti-hero) is smack-dabbing in the middle of a peculiar crossroads. He is haunted by the ghosts of one hundred men: ex-“boyfriends,” in addition to the ghosts of everyone they dated. His days are filled with spiraling epiphanies and lucid, reckless bohemianism fueled by systemic poverty and HIV ennui. In this particular sketch he is relating his philosophy of the world to an unknown caller on his landline telephone while magically shrink-fitting a new pair of jeans that he recently shoplifted from Levi’s. Commissioned by Visual AIDS in 2017 as part of ALTERNATE ENDINGS, RADICAL BEGINNINGS, a program of seven videos prioritizing Black narratives within the ongoing AIDS epidemic curated by Erin Christovale and Vivian Crockett.