Eric Davies

A documentary that follows the trail of our greatest living writer, Cormac McCarthy, from his origins in Knoxville, Tennessee, through New Orleans and into the vast expanse of Texas. The film deals with the terrain of the American West, McCarthyesque characters and the mystery that is your heart's desire. Join these three pilgrims as they enter the world of McCarthy, and encounter characters that seem sprung from the pages of Blood Meridian, Child of God, Suttree and other dark classics.

This film is a poetic composition of recorded history and non-recorded memory. Filmmaker Rea Tajiri’s family was among the 120,000 Japanese and Japanese Americans who were imprisoned in internment camps after the attack on Pearl Harbor. And like so many who were in the camps, Tajiri’s family wrapped their memories of that experience in a shroud of silence and forgetting. This film raises questions about collective history – questions that prompt Tajiri to daringly re-imagine and re-create what has been stolen and what has been lost.

A documentary that follows the trail of our greatest living writer, Cormac McCarthy, from his origins in Knoxville, Tennessee, through New Orleans and into the vast expanse of Texas. The film deals with the terrain of the American West, McCarthyesque characters and the mystery that is your heart's desire. Join these three pilgrims as they enter the world of McCarthy, and encounter characters that seem sprung from the pages of Blood Meridian, Child of God, Suttree and other dark classics.

A documentary that follows the trail of our greatest living writer, Cormac McCarthy, from his origins in Knoxville, Tennessee, through New Orleans and into the vast expanse of Texas. The film deals with the terrain of the American West, McCarthyesque characters and the mystery that is your heart's desire. Join these three pilgrims as they enter the world of McCarthy, and encounter characters that seem sprung from the pages of Blood Meridian, Child of God, Suttree and other dark classics.

A witty satire about cultural stereotyping. In a series of 1992 performances, Coco Fusco and performance co-creator Guillermo Gómez-Peña decked themselves out in primitive costumes and appeared before the public as "undiscovered AmerIndians" locked in a golden cage - an exercise in faux anthropology based on racist images of natives. Presented eight times in four different countries, these simple performances evoked various responses, the most startling being the huge numbers of people who didn't find the idea of "natives" locked in a cage objectionable. This provocative video, directed and produced by Coco Fusco and Paula Heredia, suggests that the "primitive" is nothing more than a construction of the West, and uses comic fiction to address historical truths and tragedies.