Txarly Llorente

Ismael breaks into the house of a fine art restorer and shoots the homeowner dead, leaving her daughter orphaned and traumatized for life. Years later, Ismael is working in a bar where he sees the daughter again. Paranoid that she has recognised him and will report him, he kidnaps her and holds her hostage, demanding that her hospital pay a ransom for her release. As he spends more time with her, a strange bond develops that causes him to delay the ransom request or fulfil his threats of throwing her in front of a train. But he can’t delay forever…

Moussa (Djédjé Apali) is a young man from Burkina Faso. He lives in the village where he was born, his parents, his family and his wife, Fatima. Although he prefers to call "Bamako", because it is there, in the capital of Mali, where he met, before getting married and having a baby, Mamadou. The field gives just enough to eat, but this precarious balance is broken lately due to the long drought. Driven by the responsibility to help the family, and after seeking opinion to the elders of his village, Moussa decided to emigrate to Europe.

Moussa (Djédjé Apali) is a young man from Burkina Faso. He lives in the village where he was born, his parents, his family and his wife, Fatima. Although he prefers to call "Bamako", because it is there, in the capital of Mali, where he met, before getting married and having a baby, Mamadou. The field gives just enough to eat, but this precarious balance is broken lately due to the long drought. Driven by the responsibility to help the family, and after seeking opinion to the elders of his village, Moussa decided to emigrate to Europe.

Moussa (Djédjé Apali) is a young man from Burkina Faso. He lives in the village where he was born, his parents, his family and his wife, Fatima. Although he prefers to call "Bamako", because it is there, in the capital of Mali, where he met, before getting married and having a baby, Mamadou. The field gives just enough to eat, but this precarious balance is broken lately due to the long drought. Driven by the responsibility to help the family, and after seeking opinion to the elders of his village, Moussa decided to emigrate to Europe.

Moussa (Djédjé Apali) is a young man from Burkina Faso. He lives in the village where he was born, his parents, his family and his wife, Fatima. Although he prefers to call "Bamako", because it is there, in the capital of Mali, where he met, before getting married and having a baby, Mamadou. The field gives just enough to eat, but this precarious balance is broken lately due to the long drought. Driven by the responsibility to help the family, and after seeking opinion to the elders of his village, Moussa decided to emigrate to Europe.

Moussa (Djédjé Apali) is a young man from Burkina Faso. He lives in the village where he was born, his parents, his family and his wife, Fatima. Although he prefers to call "Bamako", because it is there, in the capital of Mali, where he met, before getting married and having a baby, Mamadou. The field gives just enough to eat, but this precarious balance is broken lately due to the long drought. Driven by the responsibility to help the family, and after seeking opinion to the elders of his village, Moussa decided to emigrate to Europe.

The story unfolds in Bilbao. Rocío (Emma Suárez), is in love with Mario (Antonio Banderas), a free rider with a lot of face that, to top it all, is partner of the business of her father, Domingo (Francisco Rabal) with whom she maintains incestuous relations. When Domingo passes away, both Mario and Rocío's mother have to put to the front of the business, finishing with the inheritance that could receive Rocío. In the midst of her frustration, a young business worker, secretly in love with Rocío, will try to have the legacy of her father end up in the hands of his rightful heiress.

Ismael breaks into the house of a fine art restorer and shoots the homeowner dead, leaving her daughter orphaned and traumatized for life. Years later, Ismael is working in a bar where he sees the daughter again. Paranoid that she has recognised him and will report him, he kidnaps her and holds her hostage, demanding that her hospital pay a ransom for her release. As he spends more time with her, a strange bond develops that causes him to delay the ransom request or fulfil his threats of throwing her in front of a train. But he can’t delay forever…