Souad Karim

After the assassination of the Palestinian artist Naji Al-Ali in London in 1987, the film flashes back to the stops that he went through in his life, starting from his displacement with his family to Lebanon, to his work in Kuwait, to his return to Lebanon during the Lebanese civil war.

Devastated by the death of his newborn son, Omar is challenged by his mother’s request that he performs religious pre-burial rituals in the confines of a hospital.