Dustin Peters

Outraged by the latest bombing of Gaza, Palestinian queer activists Hamza and Walid recruit queer novelist Jean Genet to help them sabotage the Eurovision song contest in Jericho. Their method? Secure the collaboration of Buddy and Pedro, Toronto's famous gay penguins... The emergence of queer BDS (boycott, divestment, sanctions) as a dynamic Palestinian-led global movement is brought to vivid life through interviews and actions, opera and agitprop, protests and pranks. Recounting fifteen years of passionate activism in Toronto and worldwide, Photo Booth juxtaposes a surreal operatic narrative with documentary scenes that explore pride and pink-washing, gay soldiers and homo-nationalism, Queers Against Israeli Apartheid, and the accelerating weaponization of anti-Semitism.

Group of Seven Inches borrows from the diaries of 19th century painters of “Indians,” George Catlin and Paul Kane, turning their dismissive writings on the “romantic savage” upside down and inside out. Miss Chief Eagle Testickle (the outrageous alter ego of Cree artist Kent Monkman), forces innocent naked white men to become her figure models, seduces them with whiskey, and when she’s done with them, dresses them up as more “authentic” examples of the “European male.” Shot on the grounds of the McMichael Canadian Art Collection in Kleinburg, Ontario, Group of Seven Inches subverts the subjectivity and authority of colonial art history and everything else it can get its hands on.

Quand Margot, 28 ans, rencontre Daniel, l'alchimie est immédiate. Épouse heureuse de Lou, elle réprime cette attirance aussi soudaine qu'inattendue. Lorsqu'elle découvre que Daniel habite depuis peu dans sa rue, Margot voit ses certitudes vaciller.

Famed romantic filmmaker Frederick Curtis is shooting a film about Geronimo just outside the Long Horn Saloon. Frustrated with the unconvincing performances of his lead actor, he pulls another young sexy Cree man into the role. Jealousy ensues as Curtis alternately gushes over the two Cree boys as he manipulates them into broad Hollywood caricatures. A “Lonesome Rider” intercedes, teasing the action to a tragic twist, which forces the boys to take control of Curtis’ film.

In this documentary profile, Johnston invites the audience to step behind the "crushed velvet curtain" of Bruce Bailey’s life as an investment banker, lawyer, farmer and patron. The enthusiastic collector, who has worked with artists such as Marina Abramovic and Kent Monkman, is one of a few notable individuals who still host traditional art salons; a form of egalitarian lab for the breeding of ideas made popular in seventeenth-century France, where literary luminaries, artists and thinkers gathered to discuss philosophy, politics, art and other matters of the day.

Jack, an office worker, decides to reject the conformity of corporate dress codes by wearing a skirt to work instead of pants, in turn setting off change within his circles of friends and coworkers.