Felix Zühkle

The story is set some time in the past, or maybe some time in the future. Given a time-frame, we would say somewhere between the American moonwalk, and Coca- Cola's serious ambition to turn the moon into an advertising logo. Our central character, the young lift operator, is formed by experience into cynicism, detachment, and apathy. The story builds to its crescendo: of public outrage and state crackdown; the banality of commercial interest and the monumental rape of nature. Set in a large newspaper office, the Lift is a place of relative safety. But floor by floor, with each passenger in his or her tableau, the atmosphere of mayhem seeps in. Finally our young character leaves the situation, far-gone in hopelessness and disinterest.

An unexpected encounter with an unfamiliar woman rouses Marlene, a young single mother, from her unsatisfying routine. Inspired by the provocative verve shown by her new friend, Marlene takes a plunge into the unknown. Is this what a life without children and obligations could look like? But during Marlene’s quest for freedom, piecemeal images from her childhood begin to intrude more and more, reawakening a repressed childhood trauma.