Thomas Lagrève

Through the lyricism and the baroque energy of the famous Christmas oratorio, super-8 pictures with a prevailing black colour catch in a jerky way an elfic trio of merry male accompplices wandering through the Père Lachaise cemetery. Some sentences taken from ‘Le Dictionnaire de l’Amour’ by Dominique Noguez make their complicity clear and are used as a counterpoint to the ballet of their loitering.

Halleluia : one of the most beautiful prayers in the world, a magnificent and distributing piece from Leonard Cohen, wavering between the sacred and the profane, suggesting pain, pleasure, lust, and lost physical love ; a mournful eroticism chanted with sensuality and formidable grace by Jeff Buckley, an inspired performer/angel. Hence my deep desire to project my own ritual of images on its spellbinding lyrics. S.M

Twelve one-minute shorts created by a queer collective based in Paris that weaves together the poetry of RJ Arkhipov with fashion, art, music, dance and more to create a symbolic universe exploring queerness, gender, and sexuality.

The story of a young boy from North of France who will need to kill ghosts from the past to live her new life as a woman.

Two merry partners, fleshy roses and an improvised dance celebrate this glamrock jewel that glorifies the ambiguity of desire.

Extracts of Le Chant d'Amour (1950) by Jean Genet, absolute fetish movie-poem, are screened as moving tattoos on a lying body who surrenders to bites of sensuousness.

'A series of tableaux deconstruct the inward journey of Francois Jane, marred by his obsession with Charlotte. By turns illuminating and self-destructive, they navigate separate delusional worlds tearing at each other's masks.'