Laura Giannatiempo

Marta, qui vient de soutenir brillamment une thèse de philosophie sur Heidegger et Hannah Arendt, a toutes les peines du monde à trouver un emploi. La jeune femme doit finalement se contenter d'un poste dans une entreprise de marketing téléphonique, où elle est chargée de vendre des filtes à eau à des ménagères crédules. Très vite, elle y excelle. Grâce à une technique de son invention, Marta se voit promue employée du mois et se surprend soudain à apprécier son travail, jusqu'aux conversations de ses collègues sur les vedettes de la téléréalité. Pourtant l'entreprise, qui se veut une «grande famille», tient du pire cauchemar capitaliste...

In a dystopian Rome, a law is enforced which does not allow immigrant families to have more than three children. If a fourth is to be expected, he or she must be born, however, one of them must then be killed, giving the females priority for sacrifice. Zoe, Iris and Clio are three sisters, but one of them will soon be killed. Tria is a tragic story, suspended between life and death, set in the home of a family that has accepted to sacrifice its integrity in order to carve out a place in the world. A dystopian story, yet not so far from what could happen, or what, somewhere else, may have already happened.

In a world without food and overgrown with plastic, Zigle Clinic test a new food re-educate method

Walter is an unpleasant man, dirty, a small-time middleman, a third class swindler. He lives in an old station wagon full of dirt and scraps of a lifetime. In that car, Walter eats, sleeps, receives young customers to whom he promises to break into the show business, as long as they are willing to do anything and in exchange for a bribe. His bodyguard is always by his side, he's too old and smells. He's own faithful life companion: A Rottweiler named Blackie and he's dying.