Deanna Breiwick

L'histoire de l'empereur Néron et de sa passion pour Popée, une courtisane ambitieuse. L'opéra explore les thèmes de l'amour, du pouvoir et de la manipulation. Malgré les obstacles et les intrigues, Popée parvient finalement à devenir l'impératrice. L'opéra se termine de manière controversée, avec une sorte de triomphe de l'amour et du désir sur la vertu et la morale.

The innocent Candide discovers that human beings aren't all they are cracked up to be and ultimately focuses on building his own life on his own terms.

Composer Nico Muhly unveils his second new opera for the Met with this gripping reimagining of Winston Graham’s novel, set in the 1950s, about a beautiful, mysterious young woman who assumes multiple identities. Director Michael Mayer and his creative team have devised a fast-moving, cinematic world for this exhilarating story of denial and deceit, which also inspired a film by Alfred Hitchcock. Mezzo-soprano Isabel Leonard sings the enigmatic Marnie, and baritone Christopher Maltman is the man who pursues her—with disastrous results. Robert Spano conducts.

To save his protegé from a fatal destiny, a magician has imprisoned knights and ladies in an enchanted labyrinthine palace and mystifies them to the point of delirium. Luigi Rossi's first opera - boasting sixteen soloists, double and triple choirs for 6 and 12 voices, numerous ballets - marked the last surge of Roman opera before the Eternal City forsook it for a long time. For the Argentine conductor Leonardo García Alarcón, who rediscovered the opera in the Vatican Library neglected for 380 years, Il palazzo incantato is ‘the missing link in the history of opera and the metaphor of our lives'. ‘Leonardo Garcia Alarcon was known as a magician, now he has become a conjurer.’ (Le Monde)