David Bannerman

British academics Loretta and Bridget run into Sandra, an old school friend at a book launch. Although Sandra appears to be gay and carefree, Loretta notices an undercurrent of tension while Sandra stays with her for a few days. Loretta is saddened to learn her friend was killed in a car accident, and comforts Sandra's estranged husband Tom, her daughter Lizzie, and emotionally disturbed son Felix. While doing so she becomes to believe the accident may not be what it seems, spurred on by the information a local policeman provides her.

Because of her cheating husband, Elizabeth elicits patronizing "pity" from her so-called friends, but they (and he) don't suspect her plans.

Everybody tells Onnie to steer clear of Patsy Gallaher, that he's bad news, but Onnie doesn't see it. Gallaher is Onnie's friend, and he believes friends should be loyal to one another.

Le cinéaste anglais Philip Saville dirige le récit religieux "l'Évangile de Jean", une production de la compagnie canadienne Visual Bible International. Ce drame de trois heures essaye de suivre avec précision l'Évangile tel que Jean l'a écrit, au cours du premier siècle.

A student faced with an ultimatum to find £5 by morning - or lose his girlfriend - searches for friends he can tap and discovers that the crises in their lives are even greater than his own.

Dans le New York de la fin du 19ème siècle sous la responsabilité du chef de police Theodore Roosevelt, le spécialiste des maladies mentales Laszlo Kreizler s'intéresse à un impitoyable tueur qui laisse derrière lui les corps mutilés d’enfants. Face à l'impassibilité des pouvoirs publics, Kreizler tente d’identifier le responsable de ces meurtres horribles, épaulé par l'illustrateur criminel John Moore et Sara Howard, la première femme à faire son entrée dans l'univers très masculin de la police.