Jiří Kout

Dans les années 80, Abou Nidal, chef d’une organisation terroriste palestinienne, multiplie les attentats, particulièrement en Europe et menace d'intensifier ses actions en France. Le film raconte comment un officier des services secrets français a réussi à infiltrer et déstabiliser cette organisation, grâce à la manipulation d’un de ses jeunes membres idéalistes...

The mountain spirit Rübezahl falls in love with the young maid Rosa. Blind with love, he does not notice that the Baroness of Harrant wants to plunder his gold treasures in order to build a sawmill in the Giant Mountains.

Allemagne - Première Guerre mondiale. Le jeune pilote Manfred von Richthofen, alias Le Baron Rouge, est une célébrité au sein de l'armée de l'air allemande. Sa passion pour l'aviation lui ferait presque oublier que la guerre bat son plein en Europe. Quand il tombe amoureux de la belle infirmière Käte, il réalise peu à peu que son image est utilisée à des fins de propagande. Il doit alors faire un choix entre son dégoût pour la guerre et son sens du devoir...

Colleagues, professional journalists and users comment on the masterpiece of the first lady of Czech architecture, Alena Šrámková... It is devoted to the building of the Faculty of Architecture of Czech Technical University, the work of the first lady of Czech architecture, Alena Šrámková, and from a distance brings users' perspective on how the building has succeeded over 10 years. Journalists who have been dedicated to architecture for many years, such as Karolína Vránková or Matěj Beránek, also collaborated on the film, and Bára Kopecká was in charge of the dramaturgical supervision.

Colleagues, professional journalists and users comment on the masterpiece of the first lady of Czech architecture, Alena Šrámková... It is devoted to the building of the Faculty of Architecture of Czech Technical University, the work of the first lady of Czech architecture, Alena Šrámková, and from a distance brings users' perspective on how the building has succeeded over 10 years. Journalists who have been dedicated to architecture for many years, such as Karolína Vránková or Matěj Beránek, also collaborated on the film, and Bára Kopecká was in charge of the dramaturgical supervision.